{"title":"Audio \u0026 Video","description":"","products":[{"product_id":"canon-eos-r5-c-full-frame-mirrorless-r-series-came","title":"Canon EOS R5 C Full-frame Mirrorless R-Series Camera","description":"\u003ch3\u003eSMALL CINEMA CAMERA\u003cstrong\u003e\u003ca href=\"https:\/\/www.lookingglassphoto.com\/blogs\/news-and-reviews\/canon-eos-r5-c-and-the-canon-eos-r5-compared\/\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eA compact, lightweight design with active cooling\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe EOS R5 C is the most compact and lightweight Canon Cinema EOS camera, featuring an OLED viewfinder, bright articulating LCD screen and 13 user assignable buttons. A new active cooling fan enables long duration recording, while its tough magnesium alloy body ensures professional durability.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eInternal cooling system for long duration recording\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C implements an active cooling system that efficiently dissipates heat from the main body and makes long duration recording at 8K resolution up to 60P possible. Options for Always On and Automatic Fan Modes, allows users to minimise potential fan noise while recording.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eIntuitive design with touch LCD and 13 assignable buttons\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features a 0.5-inch high-resolution OLED viewfinder for accurate image analysis, a dot-matrix display for quickly checking camera settings \/ modes and a bright articulating 3.2-inch LCD monitor, for easy viewing from multiple angles during the day or night. \u003cbr\u003e\u003cbr\u003eAn extensive range of 13 assignable buttons and three digital dials are available within the EOS R5 C’s ultra-compact design. These features can be programmed via a new UI, to enable quick access to your favourite video \/ photo functions, such as Waveform Monitor, auto focus and high frame rate.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eCompact, robust and lightweight\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eWeighing only 680 grams, the EOS R5 C is the most compact and lightweight Canon Cinema EOS camera, while retaining the same premium build quality and comfortable ergonomics featured in the EOS R5.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eUltimate 8K quality, ultimate creative expression\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C can capture incredibly captivating 8K DCI RAW video in 12-bit, while utilising the whole width of the full-frame sensor for a truly cinematic experience. Capturing four times the detail of 4K, the EOS R5 C provides outstanding 8K footage up to 30fps. Through using an external power supply the EOS R5 C offers 8K up to 60fps, opening all-new creative opportunities in post-production. The entire 8K full-frame sensor can also be used for oversampling 4K or Full HD footage, producing exceptional clarity with low noise.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003e4K up to 120fps with auto focus and audio\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eAlongside the EOS R5 C’s powerful 8K capabilities, it can also capture 4K content up to 120fps for immersive slow-motion with stunning detail. While recording in this mode, the EOS R5 C maintains Dual Pixel CMOS Auto Focus functionality, to ensure each individual frame remains sharp. In addition, audio recording can also be enabled while recording at high frame rates.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eDual Base ISO\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C is the first Cinema EOS camera to offer Dual Base ISO functionality. Dual Base ISO expands sensitivity and minimises noise when shooting in low light environments. Options of 800\/3200 ISO are available when shooting in Canon Log 3, and 400\/1600 ISO when shooting in BT.709 Wide DR, PQ and HLG. Selecting the most suitable Base ISO for a certain lighting scenario will ensure optimal dynamic range and low noise, while users can also choose ‘Auto Selection’ for the camera to intuitively switch Base ISO automatically.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eIncredible 45 Megapixel stills at up to 20fps\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eA 45 Megapixel full-frame CMOS sensor captures incredible clarity, low noise and wide dynamic range at burst speeds up to 20fps, with ISO sensitivity as high as 51,200 ISO. Automatic exposure bracketing delivers consistent exposure options, while an interval timer opens the door to creative time-lapses.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eProfessional image formats\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C shares the same architecture as the EOS R system and can therefore capture images in a variety of professional file formats, including RAW, C-RAW and JPEG. 10-bit HEIF images can also be captured with increased dynamic range and colour reproduction, thanks to utilising PQ HDR gamma and BT.2020 colour space.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eTime-lapse photography\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe Interval Timer feature found in the EOS R5 C can be set to capture a certain number of images within a specified time. This feature is perfect for creating professional time-lapse sequences. In addition, custom image modes such as aperture \/ shutter priority or Auto ISO can also be set, ensuring you have full creative control when creating breathtaking time-lapse content.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eLens flexibility with the RF mount\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eFeaturing the RF mount, the EOS R5 C is compatible with an extensive range of optics including cutting-edge RF lenses, as well as EF or Cinema lenses via the EF-EOS R mount adapters. Advanced 5-axis electronic IS helps to achieve smooth and stable professional footage.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eAdvanced auto focus and subject recognition\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eCanon’s Dual Pixel CMOS AF technology is renowned in the industry, as a system that professional filmmakers and photographers can rely upon. The EOS R5 C inherits an enhanced version of this system featuring Eye AF and EOS iTR AF X. This technology utilises an advanced deep-learning algorithm that recognises faces accurately, including when only one eye is visible, and will track a subject even when they look away from the camera.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eProfessional auto focus adjustment\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features the same exclusive auto focus settings found in Cinema EOS cameras, such as Face Only and Face Priority recognition, to ensure the camera responds to changes in the scene as intended. Fine adjustments in the auto focus speed and response can also be made to achieve slow cinematic focus pulls or instant AF for fast-paced action.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eDual pixel focus guide\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eCanon’s Dual Pixel CMOS AF system can also be utilised when a camera operator is using manual focus. The focus guide is an accurate and innovative tool that visually informs the operator if a subject is front or back focused. When the focus guide visual aid on the LCD screen or viewfinder becomes green, pin-sharp manual focus has been achieved.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eExtensive professional recording formats and tools\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features 12-bit internal RAW video recording with Cinema RAW Light up to 2.6Gbps. There are three Cinema RAW Light options available in the EOS R5 C, these are LT (Light), ST (Standard) and HQ (High Quality), providing greater workflow flexibility for your production needs. \u003cbr\u003e\u003cbr\u003eA wealth of additional professional recording options are also available including, 4:2:2 10-bit formats such as Canon’s reliable XF-AVC in ALL-I or Long GOP up to 810Mbps, HEVC MP4 up to 540Mbps and 4:2:0 8-bit H.264 MP4 up to 150Mbps. \u003cbr\u003e\u003cbr\u003eIn addition to this, there are options to crop the sensor from 8K Full Frame to 5.9K Super 35mm and 3K Super 16mm formats, for compatible optical lenses and reduced data rates.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eExceptional dynamic range\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003ePQ and HLG internal recording formats as well as Canon Log 3 are available in the EOS R5 C to achieve exceptional dynamic range, retaining detail in both the shadows and highlights. Both PQ and HLG deliver content in HDR-ready formats, for film and television, in BT.2020 colour space, while Canon Log 3 provides the creative flexibility to grade the footage in post-production.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eDual media cards and simultaneous recording\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eDual media card slots (1x CFexpress Type B \/ 1x UHS-II SD) allow for sophisticated simultaneous recording options where different formats, resolutions and bit depths can be recorded to each card, to support a variety of professional workflows. Traditional 4:2:0 8-bit proxies and relay \/ double slot recording are also available.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eExternal 8K RAW recording via HDMI\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C is capable of outputting RAW over HDMI to compatible Atomos recorders such as the NINJA V+ for 10-bit 8K ProRes RAW recording up to 30fps. XF-AVC proxies can also be simultaneously recorded to the SD card for efficient post-production workflows.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eProfessional filmmaking tools\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features an extensive range of professional filmmaking tools such as a Waveform Monitor for analysing the brightness of an image from left to right, and False Colour for visually representing exposure based on a colour scale. Additional functions include true 24p DCI recording, 180-degree shutter angle, Look File support for importing 3D LUTs and timecode in\/out.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eAdvanced connectivity\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eFirst introduced in the XF605 camcorder and EOS R3, Canon’s multi-function accessory shoe provides data communication and direct power to a new range of accessories. This includes Canon’s DM-E1D stereo microphone and TASCAM’s CA-XLR2d-C audio XLR adapter, featuring professional XLR inputs with manual control, monitoring and 48V power. Existing speedlites and triggers can also be attached.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eProfessional interface\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"block-flex-list__item-description canon-paragraph--medium canon-color--grey-darkest\"\u003eConnectivity on the EOS R5 C includes dedicated terminals for timecode in\/out, 3.5mm microphone input, headphone output, micro-HDMI output, flash sync, N3-type remote and a USB-C terminal for power, charging and communication. A cable protector is included in the box to secure both the USB-C and micro-HDMI connections during shooting.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eBattery grip and wireless file transmitter\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eExisting EOS R system accessories such as the BG-R10 battery grip and WFT-R10 wireless file transmitter are supported by the EOS R5 C. While both accessories accommodate two battery units (LP-E6NH, LP-E6N, or LP-E6), the WFT-R10 enhances networking functionality with dual 2x2 5Ghz antennas and ethernet connectivity. Although the EOS R5 C features in-built Wi-Fi and Bluetooth, this accessory is required for using the Browser Remote and Content Transfer Mobile applications wirelessly.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eExtensive software application support\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe EOS R5 C merges the worlds of Cinema EOS and the EOS R system into one, offering compatibility with an extensive range of professional filmmaking, photography, and virtual reality applications, for both smartphones and personal computers. This includes the Browser Remote for accessing advanced settings and live-view remotely. Content Transfer Mobile for transferring proxy files \/ editing metadata. Image.canon cloud services for high quality image backups.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eExternal power source for 8K\/60P\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eIn addition to LP-E6NH\/LP-E6N\/LP-E6 batteries, the EOS R5 C can be powered via an external power source (required for accessing 8K recording above 30fps). Supported power sources include USB-C power from the PD-E1 adapter, as well as combined use of the DR-DE6C DC coupler and the CA-946 power adapter.\u003c\/p\u003e\n\u003ch4\u003eBehind The Scenes with Keith Ladzinski and the EOS R5 C\u003c\/h4\u003e\n\u003cp\u003eGet a behind-the-scenes look at Explorer of Light, Keith Ladzinski, as he tests the versatile EOS R5 C to get the best of both worlds. With Cinema EOS video capabilities and EOS R system photo performance, the EOS R5 C is built without compromise.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/i7Oe2ONFVF8\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":48702495621440,"sku":"5077C002","price":3899.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/1642574825-img-1676606.jpg?v=1716575894"},{"product_id":"canon-eos-r5-c-with-rf-24-105mm-f4l-lens-full-fram","title":"Canon EOS R5 C with RF 24-105mm F4L Lens Full-frame Mirrorless R-Series Camera Kit","description":"\u003ch3\u003eSMALL CINEMA CAMERA\u003c\/h3\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eA compact, lightweight design with active cooling\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe EOS R5 C is the most compact and lightweight Canon Cinema EOS camera, featuring an OLED viewfinder, bright articulating LCD screen and 13 user assignable buttons. A new active cooling fan enables long duration recording, while its tough magnesium alloy body ensures professional durability.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eInternal cooling system for long duration recording\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C implements an active cooling system that efficiently dissipates heat from the main body and makes long duration recording at 8K resolution up to 60P possible. Options for Always On and Automatic Fan Modes, allows users to minimise potential fan noise while recording.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eIntuitive design with touch LCD and 13 assignable buttons\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features a 0.5-inch high-resolution OLED viewfinder for accurate image analysis, a dot-matrix display for quickly checking camera settings \/ modes and a bright articulating 3.2-inch LCD monitor, for easy viewing from multiple angles during the day or night. \u003cbr\u003e\u003cbr\u003eAn extensive range of 13 assignable buttons and three digital dials are available within the EOS R5 C’s ultra-compact design. These features can be programmed via a new UI, to enable quick access to your favourite video \/ photo functions, such as Waveform Monitor, auto focus and high frame rate.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eCompact, robust and lightweight\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eWeighing only 680 grams, the EOS R5 C is the most compact and lightweight Canon Cinema EOS camera, while retaining the same premium build quality and comfortable ergonomics featured in the EOS R5.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eUltimate 8K quality, ultimate creative expression\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C can capture incredibly captivating 8K DCI RAW video in 12-bit, while utilising the whole width of the full-frame sensor for a truly cinematic experience. Capturing four times the detail of 4K, the EOS R5 C provides outstanding 8K footage up to 30fps. Through using an external power supply the EOS R5 C offers 8K up to 60fps, opening all-new creative opportunities in post-production. The entire 8K full-frame sensor can also be used for oversampling 4K or Full HD footage, producing exceptional clarity with low noise.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003e4K up to 120fps with auto focus and audio\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eAlongside the EOS R5 C’s powerful 8K capabilities, it can also capture 4K content up to 120fps for immersive slow-motion with stunning detail. While recording in this mode, the EOS R5 C maintains Dual Pixel CMOS Auto Focus functionality, to ensure each individual frame remains sharp. In addition, audio recording can also be enabled while recording at high frame rates.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eDual Base ISO\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C is the first Cinema EOS camera to offer Dual Base ISO functionality. Dual Base ISO expands sensitivity and minimises noise when shooting in low light environments. Options of 800\/3200 ISO are available when shooting in Canon Log 3, and 400\/1600 ISO when shooting in BT.709 Wide DR, PQ and HLG. Selecting the most suitable Base ISO for a certain lighting scenario will ensure optimal dynamic range and low noise, while users can also choose ‘Auto Selection’ for the camera to intuitively switch Base ISO automatically.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eIncredible 45 Megapixel stills at up to 20fps\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eA 45 Megapixel full-frame CMOS sensor captures incredible clarity, low noise and wide dynamic range at burst speeds up to 20fps, with ISO sensitivity as high as 51,200 ISO. Automatic exposure bracketing delivers consistent exposure options, while an interval timer opens the door to creative time-lapses.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eProfessional image formats\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C shares the same architecture as the EOS R system and can therefore capture images in a variety of professional file formats, including RAW, C-RAW and JPEG. 10-bit HEIF images can also be captured with increased dynamic range and colour reproduction, thanks to utilising PQ HDR gamma and BT.2020 colour space.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eTime-lapse photography\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe Interval Timer feature found in the EOS R5 C can be set to capture a certain number of images within a specified time. This feature is perfect for creating professional time-lapse sequences. In addition, custom image modes such as aperture \/ shutter priority or Auto ISO can also be set, ensuring you have full creative control when creating breathtaking time-lapse content.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eLens flexibility with the RF mount\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eFeaturing the RF mount, the EOS R5 C is compatible with an extensive range of optics including cutting-edge RF lenses, as well as EF or Cinema lenses via the EF-EOS R mount adapters. Advanced 5-axis electronic IS helps to achieve smooth and stable professional footage.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eAdvanced auto focus and subject recognition\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eCanon’s Dual Pixel CMOS AF technology is renowned in the industry, as a system that professional filmmakers and photographers can rely upon. The EOS R5 C inherits an enhanced version of this system featuring Eye AF and EOS iTR AF X. This technology utilises an advanced deep-learning algorithm that recognises faces accurately, including when only one eye is visible, and will track a subject even when they look away from the camera.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eProfessional auto focus adjustment\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features the same exclusive auto focus settings found in Cinema EOS cameras, such as Face Only and Face Priority recognition, to ensure the camera responds to changes in the scene as intended. Fine adjustments in the auto focus speed and response can also be made to achieve slow cinematic focus pulls or instant AF for fast-paced action.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eDual pixel focus guide\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eCanon’s Dual Pixel CMOS AF system can also be utilised when a camera operator is using manual focus. The focus guide is an accurate and innovative tool that visually informs the operator if a subject is front or back focused. When the focus guide visual aid on the LCD screen or viewfinder becomes green, pin-sharp manual focus has been achieved.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eExtensive professional recording formats and tools\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features 12-bit internal RAW video recording with Cinema RAW Light up to 2.6Gbps. There are three Cinema RAW Light options available in the EOS R5 C, these are LT (Light), ST (Standard) and HQ (High Quality), providing greater workflow flexibility for your production needs. \u003cbr\u003e\u003cbr\u003eA wealth of additional professional recording options are also available including, 4:2:2 10-bit formats such as Canon’s reliable XF-AVC in ALL-I or Long GOP up to 810Mbps, HEVC MP4 up to 540Mbps and 4:2:0 8-bit H.264 MP4 up to 150Mbps. \u003cbr\u003e\u003cbr\u003eIn addition to this, there are options to crop the sensor from 8K Full Frame to 5.9K Super 35mm and 3K Super 16mm formats, for compatible optical lenses and reduced data rates.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eExceptional dynamic range\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003ePQ and HLG internal recording formats as well as Canon Log 3 are available in the EOS R5 C to achieve exceptional dynamic range, retaining detail in both the shadows and highlights. Both PQ and HLG deliver content in HDR-ready formats, for film and television, in BT.2020 colour space, while Canon Log 3 provides the creative flexibility to grade the footage in post-production.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eDual media cards and simultaneous recording\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eDual media card slots (1x CFexpress Type B \/ 1x UHS-II SD) allow for sophisticated simultaneous recording options where different formats, resolutions and bit depths can be recorded to each card, to support a variety of professional workflows. Traditional 4:2:0 8-bit proxies and relay \/ double slot recording are also available.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eExternal 8K RAW recording via HDMI\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C is capable of outputting RAW over HDMI to compatible Atomos recorders such as the NINJA V+ for 10-bit 8K ProRes RAW recording up to 30fps. XF-AVC proxies can also be simultaneously recorded to the SD card for efficient post-production workflows.\u003c\/p\u003e\n\u003cheader\u003e\n\u003ch4 class=\"box-out__title canon-h2--small\"\u003e\u003cstrong\u003eProfessional filmmaking tools\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp class=\"box-out__paragraph canon-paragraph--big\"\u003eThe EOS R5 C features an extensive range of professional filmmaking tools such as a Waveform Monitor for analysing the brightness of an image from left to right, and False Colour for visually representing exposure based on a colour scale. Additional functions include true 24p DCI recording, 180-degree shutter angle, Look File support for importing 3D LUTs and timecode in\/out.\u003c\/p\u003e\n\u003ch4 class=\"heading-simple__heading canon-mb-xxs canon-h1 text-center canon-color canon-color--white\" style=\"text-align: left;\"\u003e\u003cstrong\u003eAdvanced connectivity\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eFirst introduced in the XF605 camcorder and EOS R3, Canon’s multi-function accessory shoe provides data communication and direct power to a new range of accessories. This includes Canon’s DM-E1D stereo microphone and TASCAM’s CA-XLR2d-C audio XLR adapter, featuring professional XLR inputs with manual control, monitoring and 48V power. Existing speedlites and triggers can also be attached.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eProfessional interface\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"block-flex-list__item-description canon-paragraph--medium canon-color--grey-darkest\"\u003eConnectivity on the EOS R5 C includes dedicated terminals for timecode in\/out, 3.5mm microphone input, headphone output, micro-HDMI output, flash sync, N3-type remote and a USB-C terminal for power, charging and communication. A cable protector is included in the box to secure both the USB-C and micro-HDMI connections during shooting.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eBattery grip and wireless file transmitter\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eExisting EOS R system accessories such as the BG-R10 battery grip and WFT-R10 wireless file transmitter are supported by the EOS R5 C. While both accessories accommodate two battery units (LP-E6NH, LP-E6N, or LP-E6), the WFT-R10 enhances networking functionality with dual 2x2 5Ghz antennas and ethernet connectivity. Although the EOS R5 C features in-built Wi-Fi and Bluetooth, this accessory is required for using the Browser Remote and Content Transfer Mobile applications wirelessly.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eExtensive software application support\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe EOS R5 C merges the worlds of Cinema EOS and the EOS R system into one, offering compatibility with an extensive range of professional filmmaking, photography, and virtual reality applications, for both smartphones and personal computers. This includes the Browser Remote for accessing advanced settings and live-view remotely. Content Transfer Mobile for transferring proxy files \/ editing metadata. Image.canon cloud services for high quality image backups.\u003c\/p\u003e\n\u003ch4 class=\"canon-column-title--3-col-small canon-color--grey-darkest\"\u003e\u003cstrong\u003eExternal power source for 8K\/60P\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eIn addition to LP-E6NH\/LP-E6N\/LP-E6 batteries, the EOS R5 C can be powered via an external power source (required for accessing 8K recording above 30fps). Supported power sources include USB-C power from the PD-E1 adapter, as well as combined use of the DR-DE6C DC coupler and the CA-946 power adapter.\u003c\/p\u003e\n\u003ch4\u003eBehind The Scenes with Keith Ladzinski and the EOS R5 C\u003c\/h4\u003e\n\u003cp\u003eGet a behind-the-scenes look at Explorer of Light, Keith Ladzinski, as he tests the versatile EOS R5 C to get the best of both worlds. With Cinema EOS video capabilities and EOS R system photo performance, the EOS R5 C is built without compromise.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/i7Oe2ONFVF8\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":48702495686976,"sku":"5077C010","price":5149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/1642574759-1685833.jpg?v=1716575896"},{"product_id":"saramonic-gamesamonic-in-ear-mobile-headphones-w-m","title":"Saramonic GamesMonic In Ear Mobile Headphones w\/ Microphone \u0026 Charging Case - Black","description":"\u003cp\u003eThe Saramonic SR-BH60-B GamesMonic TWS Wireless Earbuds are high performance Bluetooth 5.0 in-ear headphones that are optimized for Mobile devices. Delivering the best possible sound experience when Gaming, Listening to Music and Watching Movies or Videos. Featuring professional sound quality and extremely low latency they are designed to give users an immersive experience while gaming, a full-frequency sound with enhanced bass while listening to music and impactful theater-quality sound when watching movies and videos. They also feature a built-in microphone for in-game communication and crystal-clear phone calls with active DSP noise-canceling, and a portable charging case with internal battery. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTWS: True Wireless Stereo Earbuds\u003c\/strong\u003e\u003cbr\u003eTWS technology delivers detailed, life-like sound with no physical connection to the device. Letting users fully immerse themselves into the experience not being tethered to any device. The SR-BH60-B features up to 7-hours of battery life in music mode and 6-hours in gaming mode per complete charge. The included portable 500mAh charging case provides protection and power when on the go. Providing over 2 complete charges for an up to an additional 17-hours of playtime. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBluetooth 5.0 Technology\u003c\/strong\u003e\u003cbr\u003eThe GamesMonic Earbuds feature the latest advanced Bluetooth 5.0 technology. Giving users the best quality wireless features available with a quick, unbreakable connection, 4x the range and 8x the data throughput of Bluetooth 4. Plus, the ability to share the experience with multiple audio streams from your Bluetooth 5.0 devices, perfect for gaming, watching movies and enjoying music together when using multiple headphones or speakers. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExtremely Low Latency and High Performance for Gaming \u003c\/strong\u003e\u003cbr\u003eCustomized for gaming the SR-BH60-B features a Gaming Mode which provides extremely low latency and higher performance. Just tap the right earbud 3-times and it delivers an ultra-fast audio response for a much more immersive game experience. Letting users hear the sound as it happens in the game for faster reaction and more precise gameplay. While in Gaming Mode, tap the right earbud 3-times to return to standard mode for music and movies to achieve a longer battery life. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eErgonomic Fit with Comfort and Features for All-Day Use\u003c\/strong\u003e\u003cbr\u003eDesigned for extreme comfort with easy to access vital functions for everyday use. The SR-BH60-B features a patented ergonomic design, an IPX5 waterproof rating and include eartips with integrated retainers to ensure a comfortable and secure fit that won’t fall out. Whether you’re gaming at home, watching movies on the train, or sweating it up at the gym, the GamesMonic earbuds can keep up with you all day. Easy access to volume, media player and phone controls are right on the earbuds. Access to digital assistant applications, like Siri, Google Assistant and Alexa are just as simple, giving you full control without having to touch your device.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBluetooth Version: 5.0\u003c\/li\u003e\r\n\u003cli\u003eProtocols Support: HSP\/HFP\/A2DP\/AVRCP\u003c\/li\u003e\r\n\u003cli\u003eBluetooth Profile: SBC\/AAC\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 20Hz to 20KHz\u003c\/li\u003e\r\n\u003cli\u003eDriver Diameter: 8mm\u003c\/li\u003e\r\n\u003cli\u003eImpedance: 16Ω\u003c\/li\u003e\r\n\u003cli\u003eTransmission Range: Around 10m\u003c\/li\u003e\r\n\u003cli\u003eLatency: Around 60ms\u003c\/li\u003e\r\n\u003cli\u003eWaterproof Rate: IPX5\u003c\/li\u003e\r\n\u003cli\u003eMusic Playtime: Approximately 7-hours\u003c\/li\u003e\r\n\u003cli\u003eGaming Playtime: Approximately 6-hours\u003c\/li\u003e\r\n\u003cli\u003ePhone Call Time: Approximately 3-hours\u003c\/li\u003e\r\n\u003cli\u003eCharging Case Internal Battery: 500mAh\u003c\/li\u003e\r\n\u003cli\u003eEarbud Charging Time: Approximately 1.5-hours\u003c\/li\u003e\r\n\u003cli\u003eCase Charging Time: Approximately 2-hours\u003c\/li\u003e\r\n\u003cli\u003eUSB-C Power Input: 5V\/1V\u003c\/li\u003e\r\n\u003cli\u003eCharging Case Weight: 1.82oz (51.5g)\u003c\/li\u003e\r\n\u003cli\u003eEarbuds Weight: 0.39oz (11g) for both, 0.19oz (5.5g) each\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Saramonic Audio","offers":[{"title":"Default Title","offer_id":48702745477440,"sku":"SR-BH60-B","price":125.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/1610016346-img-1469627.jpg?v=1716578395"},{"product_id":"sony-alpha-fx30-cinema-super-35-camera-body-with-x","title":"Sony Alpha FX30 Cinema Super 35 Camera Body with XLR Handle Unit","description":"\u003cp data-start=\"109\" data-end=\"148\"\u003e\u003cem\u003eCarry light. 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Solo operators, doc and corporate crews, wedding filmmakers, BTS teams, and content creators who want a compact Super 35 cinema camera with pro audio, reliable AF, and slow-motion flexibility.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":48702767006016,"sku":"ILMEFX30","price":2499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/1664370988-img-1849008.jpg?v=1716578485"},{"product_id":"sony-alpha-fx30-cinema-super-35-camera-body-only","title":"Sony Alpha FX30 Cinema Super 35 Camera - Body Only","description":"\u003cp data-start=\"98\" data-end=\"137\"\u003e\u003cem\u003eCarry light. Shoot cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"139\" data-end=\"494\"\u003eWhen the brief says “move fast, look cinematic,” FX30 delivers. It brings Sony Cinema Line color, reliable tools, and pro workflow options to a compact Super 35 body you can rig or run solo. Think rooftop interviews, quick doc shoots, BTS, product spots, and travel films—clean 4K, confident autofocus, and operator-first ergonomics that keep you rolling.\u003c\/p\u003e\n\u003cp data-start=\"496\" data-end=\"550\"\u003e\u003cstrong data-start=\"496\" data-end=\"548\"\u003eWhy you’ll love it (facts → real-world benefits)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"551\" data-end=\"1881\"\u003e\n\u003cli data-start=\"551\" data-end=\"679\"\u003e\n\u003cp data-start=\"553\" data-end=\"679\"\u003e\u003cstrong data-start=\"553\" data-end=\"577\"\u003eCrisp, cinematic 4K:\u003c\/strong\u003e Oversampled 6K→4K recording for detailed, gradeable footage with that classic Super 35 perspective.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"680\" data-end=\"854\"\u003e\n\u003cp data-start=\"682\" data-end=\"854\"\u003e\u003cstrong data-start=\"682\" data-end=\"708\"\u003eSlow-mo that holds up:\u003c\/strong\u003e Record \u003cstrong data-start=\"716\" data-end=\"733\"\u003e4K up to 120p\u003c\/strong\u003e (and \u003cstrong data-start=\"739\" data-end=\"757\"\u003eFHD up to 240p\u003c\/strong\u003e) in \u003cstrong data-start=\"762\" data-end=\"778\"\u003e10-bit 4:2:2\u003c\/strong\u003e All-Intra or Long-GOP for creamy motion and resilient color in the grade.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"855\" data-end=\"1064\"\u003e\n\u003cp data-start=\"857\" data-end=\"1064\"\u003e\u003cstrong data-start=\"857\" data-end=\"894\"\u003eCinema color, ready now or later:\u003c\/strong\u003e \u003cstrong data-start=\"895\" data-end=\"909\"\u003eS-Cinetone\u003c\/strong\u003e for flattering skin right out of camera; \u003cstrong data-start=\"951\" data-end=\"961\"\u003eS-Log3\u003c\/strong\u003e, \u003cstrong data-start=\"963\" data-end=\"974\"\u003eCine EI\u003c\/strong\u003e, and user LUTs when you want maximum dynamic range and a locked-in look across cameras.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1065\" data-end=\"1216\"\u003e\n\u003cp data-start=\"1067\" data-end=\"1216\"\u003e\u003cstrong data-start=\"1067\" data-end=\"1095\"\u003eAutofocus you can trust:\u003c\/strong\u003e Fast Hybrid AF with Real-time Eye AF + subject tracking keeps interviews, gimbal moves, and walk-and-talks tack sharp.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1217\" data-end=\"1359\"\u003e\n\u003cp data-start=\"1219\" data-end=\"1359\"\u003e\u003cstrong data-start=\"1219\" data-end=\"1240\"\u003eStable handhelds:\u003c\/strong\u003e \u003cstrong data-start=\"1241\" data-end=\"1256\"\u003e5-axis IBIS\u003c\/strong\u003e plus \u003cstrong data-start=\"1262\" data-end=\"1277\"\u003eActive Mode\u003c\/strong\u003e (with gyro metadata) for smoother handheld shots and easier post-stabilization.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1360\" data-end=\"1527\"\u003e\n\u003cp data-start=\"1362\" data-end=\"1527\"\u003e\u003cstrong data-start=\"1362\" data-end=\"1394\"\u003eCompact, cage-friendly body:\u003c\/strong\u003e Multiple 1\/4-20s, front\/rear tally lamps, a big red REC button, and a vari-angle touchscreen keep small crews fast and functional.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1528\" data-end=\"1730\"\u003e\n\u003cp data-start=\"1530\" data-end=\"1730\"\u003e\u003cstrong data-start=\"1530\" data-end=\"1553\"\u003ePro pipeline ready:\u003c\/strong\u003e Full-size \u003cstrong data-start=\"1564\" data-end=\"1579\"\u003eHDMI Type-A\u003c\/strong\u003e with \u003cstrong data-start=\"1585\" data-end=\"1599\"\u003e16-bit RAW\u003c\/strong\u003e output for external recorders; \u003cstrong data-start=\"1631\" data-end=\"1651\"\u003edual media slots\u003c\/strong\u003esupport \u003cstrong data-start=\"1660\" data-end=\"1693\"\u003eCFexpress Type-A or SD UHS-II\u003c\/strong\u003e for flexible, redundant workflows.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1731\" data-end=\"1881\"\u003e\n\u003cp data-start=\"1733\" data-end=\"1881\"\u003e\u003cstrong data-start=\"1733\" data-end=\"1769\"\u003eClean audio today, room to grow:\u003c\/strong\u003e 3.5 mm mic input + digital MI shoe for Sony’s XLR adapters when you want balanced pro audio—no handle required.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1883\" data-end=\"1901\"\u003e\u003cstrong data-start=\"1883\" data-end=\"1899\"\u003eGood to know\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1902\" data-end=\"2107\"\u003e\n\u003cli data-start=\"1902\" data-end=\"1948\"\u003e\n\u003cp data-start=\"1904\" data-end=\"1948\"\u003e\u003cstrong data-start=\"1904\" data-end=\"1915\"\u003e4K\/120p\u003c\/strong\u003e uses a crop of the image area.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1949\" data-end=\"2035\"\u003e\n\u003cp data-start=\"1951\" data-end=\"2035\"\u003e\u003cstrong data-start=\"1951\" data-end=\"1966\"\u003eActive Mode\u003c\/strong\u003e adds a slight crop and isn’t available at the highest frame rates.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2036\" data-end=\"2107\"\u003e\n\u003cp data-start=\"2038\" data-end=\"2107\"\u003eAll-Intra and top frame rates may require \u003cstrong data-start=\"2080\" data-end=\"2100\"\u003eCFexpress Type-A\u003c\/strong\u003e media.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2109\" data-end=\"2233\"\u003e\u003cstrong data-start=\"2109\" data-end=\"2142\"\u003eWhat’s in the box (body only)\u003c\/strong\u003e\u003cbr data-start=\"2142\" data-end=\"2145\"\u003eFX30 camera body, NP-FZ100 battery, USB-C cable, accessory shoe cap, strap \u0026amp; basic docs.\u003c\/p\u003e\n\u003cp data-start=\"2235\" data-end=\"2463\"\u003e\u003cstrong data-start=\"2235\" data-end=\"2249\"\u003eIdeal for:\u003c\/strong\u003e Solo operators, doc\/corporate crews, wedding filmmakers, BTS teams, and creators who want a compact Super 35 cinema camera with reliable AF, slow-motion flexibility, and a clean path to pro audio and external RAW.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":48702785192256,"sku":"ILMEFX30B","price":2099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/1664369267-img-1848890.jpg?v=1716578534"},{"product_id":"om-system-ls-p5-recorder","title":"OM SYSTEM LS-P5 Recorder","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"header-block\"\u003e\n\u003ch3 class=\"header-block-title title-underline focus-anchor\" style=\"text-align: left;\" tabindex=\"-1\"\u003e\u003cstrong\u003eALL-IN-ONE HI-RES AUDIO.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"overview-icons\"\u003e\n\u003cp class=\"overview-description\" style=\"text-align: left;\"\u003eThe OM SYSTEM LS-P5 Linear PCM Recorder offers professional filmmakers, YouTube enthusiasts, musicians, Students, and Journalists the sound quality and versatility for which the LS Series of audio recorders is renowned. With a compact and robust design, the LS-P5 is an ideal companion as a stand-alone recorder or a camera video accessory.\u003c\/p\u003e\n\u003cp class=\"overview-description\" style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"overview-callout\"\u003e\n\u003cdiv class=\"overview-callout-item\"\u003e\n\u003ch3 class=\"page-title underline\" style=\"text-align: left;\"\u003e\u003cstrong\u003eSOUND QUALITY.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"content-box right a-center bottom-up moved bottom-up-move\"\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"image-full\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eTRESMIC II DIRECTIONAL CONTROL\u003c\/h4\u003e\n\u003cp\u003eEquipped with a Zoom Microphone, offering unique audio control that mixes input from the three microphones and adjusts the directionality in 21 levels while maintaining audio quality. Choose optimal settings depending on the scenario, from recording birdsong and music to lectures and meetings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-right\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eLINEAR PCM RECORDING QUALITY\u003c\/h4\u003e\n\u003cp\u003eSupporting a maximum sampling frequency of 96 kHz and linear PCM recording at a quantization bit rate of up to 24 bit (three times the information of a CD). In addition, lossless compression FLAC recording and playback format for retaining high quality sound while keeping the file size small.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eBLUETOOTH® ENABLED\u003c\/h4\u003e\n\u003cp\u003eWireless sound monitoring and full control via a smartphone with the DVR Remote app for iOS and Android. Up to a distance of 10m (32ft)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-right\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003e125DB SPL DIRECTIONAL MICROPHONES\u003c\/h4\u003e\n\u003cp\u003eDistortion-free recording from loud music and ambient sounds to bird song and lectures.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eINTELLIGENT AUTO, MANUAL AND SMART RECORDING MODES.\u003c\/h4\u003e\n\u003cp\u003eIntelligent Auto will automatically adjust your sound levels dynamically. Manual Mode allows fine-tuning the recording level to match the volume of the audio source. Our new Smart Mode sets the optimum sound level by listening to the environment before recording.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-right\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eBRIGHT SOUND, OPTIMAL FOR VOICE RECORDING\u003c\/h4\u003e\n\u003cp\u003eThe new “Bright Sound” mode offers clearer recordings of the spoken word such as in vlogging, lectures, or meetings. Recording with elevated mid to high-range levels makes it possible to capture audio while minimizing the effects of ambient sounds.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"image-full\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eCUSTOM SCENE MODES FOR RECORDING WITH EASE.\u003c\/h4\u003e\n\u003cp\u003eNot only can you save your custom settings but the LS-P5 also offers 2-Mic Noise Cancellation for recording in noisy environments. This is a “scene mode” known as Noisy Situation. Designed to record spoken audio in very noisy environments. One microphone listens to the background noise while the user speaks into the other.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-right\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003ePRE-RECORDING ENSURES THAT YOU WILL NOT MISS ANYTHING.\u003c\/h4\u003e\n\u003cp\u003eWith the 2 second pre-recording mode, you won’t miss opportunities to record birdsong or lectures due to control lag. The recorder can also be operated via the DVR.Remote smartphone app.\u003cbr\u003eDownloadable here: http:\/\/www.getolympus.com\/us\/en\/software\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eCOMPOSITE USB AUDIO MODE\u003c\/h4\u003e\n\u003cp\u003eUse as a USB microphone and speaker. Perfect for streaming or virtual online meetings\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eTECHNOLOGY.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch4\u003eSMALL SIZE- BIG SOUND.\u003c\/h4\u003e\n\u003cp\u003eDespite its, high-performance microphones and two batteries, the recorder features a compact design measuring 39.6 x 112.2 x 16.1 mm (1.55 x 4.41 x .63 in) and weighing only 78g (.17lbs).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-right\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eNEVER BE SHORT ON RECODING TIME\u003c\/h4\u003e\n\u003cp\u003e16GB of built-in memory offers up to 7 hours regarding quality in 96kHz\/24bit Hi-Res, or 21 Hours in CD quality. micro SD cards can also be used up to 2TB in size (XC Type I).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eRECORD ALL DAY AND BEYOND\u003c\/h4\u003e\n\u003cp\u003eIncluding 2 AAA Ni-Mh rechargeable batteries which can be charged via USB. In addition, parallel powering and charging of battery supported with power delivery power supply.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-right\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eMICROPHONE AND HEADPHONE CONNECTION\u003c\/h4\u003e\n\u003cp\u003eWhether you are connecting an external microphone or using as a camera microphone, the LS-P5 offers both MIC-IN and LINE-IN as well as headphone-out.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-left\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eSLATE TONE AND TEST TONE CONVENIENT FOR\u003cbr\u003eVIDEO SOUND SOURCE RECORDING\u003c\/h4\u003e\n\u003cp\u003eSlate Tone allows you to send reference signal your digital camera for easier editing. Test Tone allows to set camera audio recording levels\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cms-block img-right\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eTRIPOD MOUNT\u003c\/h4\u003e\n\u003cp\u003eThe LS-P5 features an industry standard ¼ inch screw thread mount to attach to a camera (via a hot shoe adapter) or microphone stand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"text-align: left;\"\u003e\u003cstrong\u003eUSABILITY.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"callout-banner\" id=\"callout-banner\"\u003e\n\u003cdiv class=\"header-block callout-header\" style=\"text-align: left;\"\u003e\n\u003ch3 class=\"header-block-title title-underline\"\u003eSEE IT IN ACTION\u003c\/h3\u003e\n\u003cspan class=\"header-block-subtitle\"\u003eSee how the LS-P5 will grow with you and be the perfect companion for your adventures.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"header-block callout-header\" style=\"text-align: left;\"\u003e \u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/MWnfciRPhfA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"header-block callout-header\" style=\"text-align: left;\"\u003e \u003c\/h3\u003e\n\u003cdiv class=\"header-block callout-header\"\u003e\n\u003cdiv class=\"specification-blocks scroll-section\" id=\"specs\"\u003e\n\u003cdiv class=\"header-block specification-header title-underline\" style=\"text-align: left;\"\u003e\n\u003ch3 class=\"header-block-title focus-anchor\" tabindex=\"-1\"\u003e\u003cstrong\u003eTECH SPECS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cspan class=\"header-block-subtitle\"\u003eBECAUSE THE DETAILS MATTER\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"left\"\u003e\n\u003col role=\"table\"\u003e\n\u003cli aria-rowindex=\"0\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eMicrophone: 3 Directional Microphones (Tresmic II)\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"1\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eRecording\/Playback Formats: PCM \/ MP3 \/ FLAC\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"2\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eInternal Memory: 16GB (+microSDHC\/microSDXC external)\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"3\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eSpeaker size\/Maximam speaker output: 18mm\/230mW\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"4\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eInput jack: φ3.5mm×1 (MIC\/Line in)\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"5\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eEarphones jack: φ3.5mm×1 (EAR)\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"6\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eMaximum headphone output: 3mW+3mW\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"7\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eInternal battery charge: Yes\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"8\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eTripod Connection: Yes\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"9\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eUSB: USB2.0 microB\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"10\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eBluetooth: Yes\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"11\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eDimensions (W x H x D): 39.6 x 112.2 x 16.1 mm\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"12\" role=\"row\" style=\"text-align: left;\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\"\u003eWeight: 78g (including battery)\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli aria-rowindex=\"13\" role=\"row\"\u003e\n\u003cdiv role=\"columnheader\" class=\"label\" style=\"text-align: left;\"\u003eBox Contents: USB cable (A-microB), 2 Ni-MH batteries\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"OM SYSTEM | Olympus","offers":[{"title":"Default Title","offer_id":49058188230976,"sku":"V409180BG000","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/om-system-ls-p5-recorder-_4_-copy.jpg?v=1718590782"},{"product_id":"sony-fx2-digital-cinema-camera-with-xlr-handle-unit","title":"Sony FX2 Digital Cinema Camera with XLR Handle Unit","description":"\u003ch3 data-start=\"363\" data-end=\"414\"\u003e\u003cem data-start=\"367\" data-end=\"414\"\u003eFull-frame cinema power, beautifully compact.\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp data-start=\"416\" data-end=\"781\"\u003eThe Sony FX2 brings the look, depth, and dynamic range of Sony’s professional cinema line into a body designed for creators who move fast. It’s small enough for handheld work, lightweight enough for gimbals, and powerful enough for commercial productions. Add the included XLR handle unit and the FX2 transforms seamlessly from run-and-gun to full production-ready.\u003c\/p\u003e\n\u003ch3 data-start=\"788\" data-end=\"827\"\u003e\u003cstrong data-start=\"791\" data-end=\"827\"\u003eWhy filmmakers love the Sony FX2\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"829\" data-end=\"1967\"\u003e\n\u003cli data-start=\"829\" data-end=\"994\"\u003e\n\u003cp data-start=\"831\" data-end=\"994\"\u003e\u003cstrong data-start=\"831\" data-end=\"861\"\u003eFull-frame cinematic image\u003c\/strong\u003e — 10.2MP full-frame sensor optimized for video delivers rich color, beautiful depth of field, and excellent low-light performance.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"995\" data-end=\"1123\"\u003e\n\u003cp data-start=\"997\" data-end=\"1123\"\u003e\u003cstrong data-start=\"997\" data-end=\"1022\"\u003eStunning 4K recording\u003c\/strong\u003e — Oversampled 4K up to 60p, plus 4K 120p for slow motion that still maintains exceptional clarity.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1124\" data-end=\"1282\"\u003e\n\u003cp data-start=\"1126\" data-end=\"1282\"\u003e\u003cstrong data-start=\"1126\" data-end=\"1149\"\u003eS-Cinetone \u0026amp; S-Log3\u003c\/strong\u003e — Get the cinematic Sony look right out of the camera or choose maximum grading flexibility with up to 15+ stops of dynamic range.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1283\" data-end=\"1427\"\u003e\n\u003cp data-start=\"1285\" data-end=\"1427\"\u003e\u003cstrong data-start=\"1285\" data-end=\"1313\"\u003eFast, reliable autofocus\u003c\/strong\u003e — Real-time Eye AF for humans and animals, incredible subject tracking, and smooth transitions made for cinema.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1428\" data-end=\"1541\"\u003e\n\u003cp data-start=\"1430\" data-end=\"1541\"\u003e\u003cstrong data-start=\"1430\" data-end=\"1453\"\u003eCompact cinema body\u003c\/strong\u003e — A lightweight, cage-friendly form factor with dedicated cooling for extended takes.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1542\" data-end=\"1689\"\u003e\n\u003cp data-start=\"1544\" data-end=\"1689\"\u003e\u003cstrong data-start=\"1544\" data-end=\"1575\"\u003eProfessional audio included\u003c\/strong\u003e — The modular XLR Handle Unit adds two full-size XLR inputs with 48V phantom power and physical audio controls.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1690\" data-end=\"1830\"\u003e\n\u003cp data-start=\"1692\" data-end=\"1830\"\u003e\u003cstrong data-start=\"1692\" data-end=\"1722\"\u003eBuilt for motion workflows\u003c\/strong\u003e — Dual card slots (CFexpress Type A\/SD), tally lights, timecode input, and full-size HDMI for monitoring.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1831\" data-end=\"1967\"\u003e\n\u003cp data-start=\"1833\" data-end=\"1967\"\u003e\u003cstrong data-start=\"1833\" data-end=\"1875\"\u003eUSB streaming \u0026amp; creator-friendly tools\u003c\/strong\u003e — Use the FX2 as a high-end streaming camera or connect easily for fast delivery workflows.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1974\" data-end=\"1996\"\u003e\u003cstrong data-start=\"1977\" data-end=\"1996\"\u003eWhat’s included\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1998\" data-end=\"2210\"\u003e\n\u003cli data-start=\"1998\" data-end=\"2037\"\u003e\n\u003cp data-start=\"2000\" data-end=\"2037\"\u003eSony FX2 Digital Cinema Camera Body\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2038\" data-end=\"2091\"\u003e\n\u003cp data-start=\"2040\" data-end=\"2091\"\u003eXLR Handle Unit (with dual XLR inputs \u0026amp; controls)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2092\" data-end=\"2116\"\u003e\n\u003cp data-start=\"2094\" data-end=\"2116\"\u003eRechargeable Battery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2117\" data-end=\"2136\"\u003e\n\u003cp data-start=\"2119\" data-end=\"2136\"\u003eBattery Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2137\" data-end=\"2149\"\u003e\n\u003cp data-start=\"2139\" data-end=\"2149\"\u003eBody Cap\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2150\" data-end=\"2172\"\u003e\n\u003cp data-start=\"2152\" data-end=\"2172\"\u003eAccessory Shoe Cap\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2173\" data-end=\"2186\"\u003e\n\u003cp data-start=\"2175\" data-end=\"2186\"\u003eUSB Cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2187\" data-end=\"2210\"\u003e\n\u003cp data-start=\"2189\" data-end=\"2210\"\u003ePrinted documentation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2217\" data-end=\"2233\"\u003e\u003cstrong data-start=\"2220\" data-end=\"2233\"\u003eIdeal for\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2235\" data-end=\"2394\"\u003eFilmmakers, hybrid creators, documentarians, commercial shooters, educators, and anyone who wants \u003cstrong data-start=\"2333\" data-end=\"2393\"\u003ecinema-grade image quality in a compact, flexible system\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":50764983402816,"sku":"ILME-FX2","price":2898.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/SonyFX2DigitalCinemaCamerawithXLRHandleUnit1.jpg?v=1764184859"},{"product_id":"sony-fx2-digital-cinema-camera-body","title":"Sony FX2 Digital Cinema Camera","description":"\u003cp\u003e\u003cem\u003eA compact full-frame cinema camera for creators who need serious video and professional still photography in one system.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX2 combines the production-focused design of Sony’s Cinema Line with a 33-megapixel full-frame sensor, making it a strong choice for filmmakers whose work regularly crosses into photography.\u003c\/p\u003e\n\u003cp\u003eIt delivers detailed oversampled 4K video, internal 10-bit 4:2:2 recording, flexible Log and S-Cinetone workflows, AI-powered autofocus, in-body stabilization, active cooling, and a built-in electronic viewfinder in a compact, rig-ready body.\u003c\/p\u003e\n\u003ch3\u003eWhat the FX2 Does Exceptionally Well\u003c\/h3\u003e\n\u003cp\u003eThe FX2 is exceptionally well suited to hybrid assignments where both motion and still images matter.\u003c\/p\u003e\n\u003cp\u003eIts 33-megapixel sensor provides the resolution needed for commercial, editorial, event, and promotional photography while also producing detailed full-frame 4K video. Internal 10-bit recording and S-Log3 provide flexibility for color grading, while S-Cinetone offers an attractive finished look for projects with a faster turnaround.\u003c\/p\u003e\n\u003cp\u003eSony’s subject-recognition autofocus helps track people, animals, birds, vehicles, and other moving subjects, making the FX2 especially useful for documentary, event, interview, and solo-production work. Five-axis image stabilization supports handheld shooting, while the internal cooling system is designed for longer recording sessions.\u003c\/p\u003e\n\u003cp\u003eThe compact body can remain simple for travel and lightweight assignments or serve as the center of a more complete production rig with audio, monitoring, lighting, and camera support.\u003c\/p\u003e\n\u003ch3\u003eWho It Is For\u003c\/h3\u003e\n\u003cp\u003eThe Sony FX2 is an excellent fit for documentary filmmakers, wedding and event creators, commercial photographers expanding into video, solo operators, small production teams, travel creators, educators, nonprofits, and anyone regularly expected to deliver both video and still images from the same assignment.\u003c\/p\u003e\n\u003ch3\u003eLooking Glass Photo’s Take\u003c\/h3\u003e\n\u003cp\u003eThe FX2 makes the most sense for creators who want video to remain the priority without giving up genuinely capable still photography.\u003c\/p\u003e\n\u003cp\u003eIts greatest strength is the way it brings together a cinema-focused body, reliable autofocus, strong stabilization, professional recording tools, and a high-resolution sensor in one manageable system. It feels equally at home filming interviews, covering events, creating commercial content, or producing photographs for the same project.\u003c\/p\u003e\n\u003cp\u003eThe built-in viewfinder and strong still-image capability make it easier to use as an everyday creative camera, while active cooling, mounting points, full-size HDMI, and professional audio options give it the foundation needed for more serious production work.\u003c\/p\u003e\n\u003cp\u003eThe main consideration is that 4K 60p is recorded in Super 35mm mode, creating a narrower field of view. That is worth accounting for when choosing lenses, particularly for wide-angle work.\u003c\/p\u003e\n\u003cp\u003eFor working visual storytellers who want one camera to cover a broad range of assignments, the FX2 is a particularly well-balanced and practical choice.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e33MP full-frame Exmor R CMOS sensor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOversampled full-frame 4K video\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInternal 10-bit 4:2:2 recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4K recording up to 60p in Super 35mm mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eS-Log3, S-Cinetone, and user LUT support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore than 15 stops of latitude in S-Log3\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual base ISO of 800 and 4000\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAI-powered subject recognition and tracking\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFive-axis in-body image stabilization\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eActive cooling for extended recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTilting electronic viewfinder\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully articulating touchscreen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-size HDMI connection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual memory-card slots\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMultiple accessory mounting points\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 10 fps still photography\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSony E-mount lens compatibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAvailable body-only or with Sony’s XLR Handle Unit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBuild the Right FX2 Kit\u003c\/h3\u003e\n\u003cp\u003eThe right lenses, media, audio, batteries, stabilization, and monitoring can make a major difference in how well the FX2 fits a particular workflow.\u003c\/p\u003e\n\u003cp\u003eLooking Glass Photo can help build a complete FX2 system around documentary work, interviews, events, travel, commercial production, or a compact all-purpose filmmaking kit.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":50764984353088,"sku":"ILME-FX2B","price":2698.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/SonyFX2DigitalCinemaCamera1.jpg?v=1780720304"},{"product_id":"sony-alpha-fx3-cinema-full-frame-camera-body-only-fe-mount","title":"Sony Alpha FX3 Cinema Full-frame Camera Body Only (FE-Mount)","description":"\u003ch3 data-start=\"137\" data-end=\"163\"\u003eBring cinema with you.\u003c\/h3\u003e\n\u003cp data-start=\"164\" data-end=\"447\"\u003eWhen the story finds you—on a rooftop at blue hour, in a cramped studio, or running a one-person doc—FX3 delivers the look, the reliability, and the workflow of a true cinema camera in a compact, creator-friendly body. It’s the camera you can carry everywhere and still roll all day.\u003c\/p\u003e\n\u003ch4 data-start=\"449\" data-end=\"498\"\u003eWhy creators love it (benefits you can feel)\u003c\/h4\u003e\n\u003cul data-start=\"499\" data-end=\"2303\"\u003e\n\u003cli data-start=\"499\" data-end=\"743\"\u003e\n\u003cp data-start=\"501\" data-end=\"743\"\u003e\u003cstrong data-start=\"501\" data-end=\"554\"\u003eFull-frame cinematic image, ridiculous low light.\u003c\/strong\u003e 12.1MP backside-illuminated sensor + BIONZ XR engine for clean shadows, fast readout, and a flexible 15+-stop gradeable image. Your night scenes finally look like night—without the mush.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"744\" data-end=\"904\"\u003e\n\u003cp data-start=\"746\" data-end=\"904\"\u003e\u003cstrong data-start=\"746\" data-end=\"780\"\u003eReal 4K slow-mo that holds up.\u003c\/strong\u003e Capture 4K up to 120p internally in 10-bit 4:2:2 (All-Intra\/Long-GOP) for creamy motion and resilient color in the grade.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"905\" data-end=\"1074\"\u003e\n\u003cp data-start=\"907\" data-end=\"1074\"\u003e\u003cstrong data-start=\"907\" data-end=\"956\"\u003eThe Sony cinema look, straight out of camera.\u003c\/strong\u003e S-Cinetone for instant, flattering skin; S-Log3 + HLG when you need maximum dynamic range and HDR delivery options.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1075\" data-end=\"1262\"\u003e\n\u003cp data-start=\"1077\" data-end=\"1262\"\u003e\u003cstrong data-start=\"1077\" data-end=\"1109\"\u003ePro audio, no cage required.\u003c\/strong\u003e Detachable top handle with dual XLR\/TRS inputs and on-handle controls enables up to 4-channel, 24-bit recording—no dangling boxes, no extra batteries.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1263\" data-end=\"1405\"\u003e\n\u003cp data-start=\"1265\" data-end=\"1405\"\u003e\u003cstrong data-start=\"1265\" data-end=\"1300\"\u003eAutofocus you can trust on set.\u003c\/strong\u003e Fast Hybrid AF with real-time Eye AF and subject tracking keeps interviews and gimbal work tack sharp.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1406\" data-end=\"1591\"\u003e\n\u003cp data-start=\"1408\" data-end=\"1591\"\u003e\u003cstrong data-start=\"1408\" data-end=\"1434\"\u003eStabilized and steady.\u003c\/strong\u003e 5-axis in-body stabilization plus “Active Mode” electronic stabilization (with gyro metadata) for smoother handheld footage and easier post-stabilization.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1592\" data-end=\"1753\"\u003e\n\u003cp data-start=\"1594\" data-end=\"1753\"\u003e\u003cstrong data-start=\"1594\" data-end=\"1617\"\u003eBuilt to roll long.\u003c\/strong\u003e An internal cooling fan and heat-dissipating design enable extended takes and uninterrupted 4K60p recording in controlled conditions.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1754\" data-end=\"1907\"\u003e\n\u003cp data-start=\"1756\" data-end=\"1907\"\u003e\u003cstrong data-start=\"1756\" data-end=\"1778\"\u003eCage-free rigging.\u003c\/strong\u003e Multiple 1\/4-20 mounts in a rugged magnesium-alloy shell—mount mics, arms, and accessories directly and keep your build tight.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1908\" data-end=\"2145\"\u003e\n\u003cp data-start=\"1910\" data-end=\"2145\"\u003e\u003cstrong data-start=\"1910\" data-end=\"1938\"\u003ePlug into pro pipelines.\u003c\/strong\u003e Full-size HDMI Type-A with \u003cstrong data-start=\"1966\" data-end=\"1980\"\u003e16-bit RAW\u003c\/strong\u003e output for external recorders, plus TC\/UB support for multi-cam sync. Dual media slots accept \u003cstrong data-start=\"2075\" data-end=\"2108\"\u003eCFexpress Type-A or SD UHS-II\u003c\/strong\u003e for flexible, redundant workflows.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2146\" data-end=\"2303\"\u003e\n\u003cp data-start=\"2148\" data-end=\"2303\"\u003e\u003cstrong data-start=\"2148\" data-end=\"2178\"\u003eOperator-friendly details.\u003c\/strong\u003e Front\/rear tally lamps, an illuminated REC button, and a vari-angle touchscreen make “am I rolling?” obvious from any angle.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-start=\"2305\" data-end=\"2322\"\u003eGood to know\u003c\/h4\u003e\n\u003cul data-start=\"2323\" data-end=\"2440\"\u003e\n\u003cli data-start=\"2323\" data-end=\"2360\"\u003e\n\u003cp data-start=\"2325\" data-end=\"2360\"\u003e4K\/120p uses a slight ~1.1× crop.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2361\" data-end=\"2440\"\u003e\n\u003cp data-start=\"2363\" data-end=\"2440\"\u003eActive Mode adds a small crop and isn’t available at the highest frame rates.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-start=\"2442\" data-end=\"2464\"\u003eWhat’s in the box\u003c\/h4\u003e\n\u003cul data-start=\"2465\" data-end=\"2579\"\u003e\n\u003cli data-start=\"2465\" data-end=\"2484\"\u003e\n\u003cp data-start=\"2467\" data-end=\"2484\"\u003eFX3 camera body\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2485\" data-end=\"2532\"\u003e\n\u003cp data-start=\"2487\" data-end=\"2532\"\u003eDetachable XLR top handle (with mic holder)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2533\" data-end=\"2579\"\u003e\n\u003cp data-start=\"2535\" data-end=\"2579\"\u003eBattery, charger, cables, and accessory caps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2581\" data-end=\"2810\"\u003e\u003cstrong data-start=\"2581\" data-end=\"2595\"\u003eIdeal for:\u003c\/strong\u003e Documentarians, solo operators, commercial and corporate crews, wedding filmmakers, and content creators who need cinema-grade image quality, rock-solid audio, and reliable long-form recording in a compact package.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":50832279208256,"sku":"ILMEFX3A","price":4299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/sbjbt1bsvbhjkb1nkuyf.jpg?v=1751305097"},{"product_id":"nikon-zr-6k-cinema-camera","title":"Nikon ZR 6K Cinema Camera","description":"\u003ch3 data-start=\"542\" data-end=\"558\"\u003eKey Features\u003c\/h3\u003e\n\u003cul data-start=\"560\" data-end=\"2018\"\u003e\n\u003cli data-start=\"560\" data-end=\"801\"\u003e\n\u003cp data-start=\"562\" data-end=\"801\"\u003e\u003cstrong data-start=\"562\" data-end=\"606\"\u003eFull-Frame 24MP Partially-Stacked Sensor\u003c\/strong\u003e\u003cbr data-start=\"606\" data-end=\"609\"\u003eShares imaging DNA with Nikon’s Z6 III line: delivering high resolution stills and high quality video by exploiting fast readout and good dynamic range. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"803\" data-end=\"1092\"\u003e\n\u003cp data-start=\"805\" data-end=\"1092\"\u003e\u003cstrong data-start=\"805\" data-end=\"845\"\u003eVideo Capabilities \u0026amp; RED Integration\u003c\/strong\u003e\u003cbr data-start=\"845\" data-end=\"848\"\u003eOffers internal RAW\/codec video up to \u003cstrong data-start=\"888\" data-end=\"903\"\u003e6K at 60fps\u003c\/strong\u003e and \u003cstrong data-start=\"908\" data-end=\"927\"\u003e4K up to 120fps\u003c\/strong\u003e, with support for new R3D NE*, Nikon’s RED-based RAW format. Two base ISOs (800 \/ 6400) aid flexibility in different lighting.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1094\" data-end=\"1330\"\u003e\n\u003cp data-start=\"1096\" data-end=\"1330\"\u003e\u003cstrong data-start=\"1096\" data-end=\"1129\"\u003eDynamic Range \u0026amp; Color Science\u003c\/strong\u003e\u003cbr data-start=\"1129\" data-end=\"1132\"\u003eOver \u003cstrong data-start=\"1139\" data-end=\"1168\"\u003e15 stops of dynamic range\u003c\/strong\u003e. Includes RED color science (colorimetry, exposure standards) to help match with existing RED workflows in post-production.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1332\" data-end=\"1575\"\u003e\n\u003cp data-start=\"1334\" data-end=\"1575\"\u003e\u003cstrong data-start=\"1334\" data-end=\"1365\"\u003eAudio \u0026amp; Microphone Features\u003c\/strong\u003e\u003cbr data-start=\"1365\" data-end=\"1368\"\u003eFirst Nikon camera with \u003cstrong data-start=\"1394\" data-end=\"1416\"\u003e32-bit float audio\u003c\/strong\u003e both via built-in mic and external mic input. Built-in mic uses Nokia’s OZO Audio system, with multiple pickup patterns.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1577\" data-end=\"1834\"\u003e\n\u003cp data-start=\"1579\" data-end=\"1834\"\u003e\u003cstrong data-start=\"1579\" data-end=\"1604\"\u003eDisplay, Body \u0026amp; Build\u003c\/strong\u003e\u003cbr data-start=\"1604\" data-end=\"1607\"\u003eLarge, bright \u003cstrong data-start=\"1623\" data-end=\"1671\"\u003e4-inch articulating (vari-angle) touchscreen\u003c\/strong\u003e, ~1000 nits brightness, DCI-P3 compatible. Body weighs ≈ \u003cstrong data-start=\"1729\" data-end=\"1738\"\u003e540 g\u003c\/strong\u003e (just body, excluding battery and media), weather-sealed.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1836\" data-end=\"2018\"\u003e\n\u003cp data-start=\"1838\" data-end=\"2018\"\u003e\u003cstrong data-start=\"1838\" data-end=\"1875\"\u003eLens Mount \/ System Compatibility\u003c\/strong\u003e\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eUses Nikon Z-mount, so you can leverage Nikon’s wide Z lens lineup (including cine-friendly lenses).\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2025\" data-end=\"2055\"\u003eStrengths \u0026amp; Considerations\u003c\/h3\u003e\n\u003cp data-start=\"2057\" data-end=\"2071\"\u003e\u003cstrong data-start=\"2057\" data-end=\"2071\"\u003eStrengths:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2073\" data-end=\"2551\"\u003e\n\u003cli data-start=\"2073\" data-end=\"2210\"\u003e\n\u003cp data-start=\"2075\" data-end=\"2210\"\u003eDelivers cinema-grade video features (6K RAW, high frame rates) in a lightweight, compact body.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2211\" data-end=\"2396\"\u003e\n\u003cp data-start=\"2213\" data-end=\"2396\"\u003eThe RED integration (R3D NE) is a big benefit for filmmakers who already work with RED, or want more flexibility in post-with raw file formats.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2397\" data-end=\"2551\"\u003e\n\u003cp data-start=\"2399\" data-end=\"2551\"\u003eExcellent audio options built in, reducing the need for external gear (though many pros will add accessories).\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2553\" data-end=\"2578\"\u003e\u003cstrong data-start=\"2553\" data-end=\"2578\"\u003ePotential Trade Offs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2580\" data-end=\"3013\"\u003e\n\u003cli data-start=\"2580\" data-end=\"2669\"\u003e\n\u003cp data-start=\"2582\" data-end=\"2669\"\u003eLack of electronic viewfinder (EVF) built-in.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2846\" data-end=\"3013\"\u003e\n\u003cp data-start=\"2848\" data-end=\"3013\"\u003eFor full utility, many users will want to invest in accessories (rigs, cages, grips, external mics) to maximize ergonomics.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3020\" data-end=\"3036\"\u003eWho It’s For\u003c\/h3\u003e\n\u003cp data-start=\"3038\" data-end=\"3066\"\u003eThe Nikon ZR is tailored to:\u003c\/p\u003e\n\u003cul data-start=\"3068\" data-end=\"3607\"\u003e\n\u003cli data-start=\"3068\" data-end=\"3185\"\u003e\n\u003cp data-start=\"3070\" data-end=\"3185\"\u003e\u003cstrong data-start=\"3070\" data-end=\"3117\"\u003eIndependent filmmakers and content creators\u003c\/strong\u003e who want cinema-class video in a relatively compact, light package.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3186\" data-end=\"3280\"\u003e\n\u003cp data-start=\"3188\" data-end=\"3280\"\u003e\u003cstrong data-start=\"3188\" data-end=\"3230\"\u003eRED users or post-production workflows\u003c\/strong\u003e where matching color and RAW flexibility matters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3281\" data-end=\"3416\"\u003e\n\u003cp data-start=\"3283\" data-end=\"3416\"\u003eUsers who prioritize \u003cstrong data-start=\"3304\" data-end=\"3325\"\u003evideo over stills\u003c\/strong\u003e (while the still photography capability is strong, the body is optimized more for motion).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3417\" data-end=\"3607\"\u003e\n\u003cp data-start=\"3419\" data-end=\"3607\"\u003eCreators who want excellent built-in audio and display, without carrying massive rigs — though those who want pro-level inputs and more rugged modular setups may need external accessories.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3614\" data-end=\"3625\"\u003eSummary\u003c\/h3\u003e\n\u003cp data-start=\"3627\" data-end=\"4089\"\u003eIf you’re seeking to step up to professional video quality without the bulk (and without the price tag of high-end cinema rigs), the Nikon ZR is a compelling proposition. It brings together Nikon’s imaging heritage and RED’s movie-centric tech into a feather-light body with strong video specs, dynamic range, and audio. For many creators, it could be their “go-to” camera for filmmaking, vlogging, commercials, or content that demands serious video performance.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":51050115105088,"sku":"2006","price":2199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/NikonZRBody1.jpg?v=1757608706"},{"product_id":"nikon-zr-cinema-camera-with-35mm-f-1-4-lens-kit","title":"Nikon ZR 6K Cinema Camera with 35mm f\/1.4 Lens Kit","description":"\u003ch3 data-start=\"542\" data-end=\"558\"\u003eKey Features\u003c\/h3\u003e\n\u003cul data-start=\"560\" data-end=\"2018\"\u003e\n\u003cli data-start=\"560\" data-end=\"801\"\u003e\n\u003cp data-start=\"562\" data-end=\"801\"\u003e\u003cstrong data-start=\"562\" data-end=\"606\"\u003eFull-Frame 24MP Partially-Stacked Sensor\u003c\/strong\u003e\u003cbr data-start=\"606\" data-end=\"609\"\u003eShares imaging DNA with Nikon’s Z6 III line: delivering high resolution stills and high quality video by exploiting fast readout and good dynamic range. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"803\" data-end=\"1092\"\u003e\n\u003cp data-start=\"805\" data-end=\"1092\"\u003e\u003cstrong data-start=\"805\" data-end=\"845\"\u003eVideo Capabilities \u0026amp; RED Integration\u003c\/strong\u003e\u003cbr data-start=\"845\" data-end=\"848\"\u003eOffers internal RAW\/codec video up to \u003cstrong data-start=\"888\" data-end=\"903\"\u003e6K at 60fps\u003c\/strong\u003e and \u003cstrong data-start=\"908\" data-end=\"927\"\u003e4K up to 120fps\u003c\/strong\u003e, with support for new R3D NE*, Nikon’s RED-based RAW format. Two base ISOs (800 \/ 6400) aid flexibility in different lighting.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1094\" data-end=\"1330\"\u003e\n\u003cp data-start=\"1096\" data-end=\"1330\"\u003e\u003cstrong data-start=\"1096\" data-end=\"1129\"\u003eDynamic Range \u0026amp; Color Science\u003c\/strong\u003e\u003cbr data-start=\"1129\" data-end=\"1132\"\u003eOver \u003cstrong data-start=\"1139\" data-end=\"1168\"\u003e15 stops of dynamic range\u003c\/strong\u003e. Includes RED color science (colorimetry, exposure standards) to help match with existing RED workflows in post-production.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1332\" data-end=\"1575\"\u003e\n\u003cp data-start=\"1334\" data-end=\"1575\"\u003e\u003cstrong data-start=\"1334\" data-end=\"1365\"\u003eAudio \u0026amp; Microphone Features\u003c\/strong\u003e\u003cbr data-start=\"1365\" data-end=\"1368\"\u003eFirst Nikon camera with \u003cstrong data-start=\"1394\" data-end=\"1416\"\u003e32-bit float audio\u003c\/strong\u003e both via built-in mic and external mic input. Built-in mic uses Nokia’s OZO Audio system, with multiple pickup patterns.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1577\" data-end=\"1834\"\u003e\n\u003cp data-start=\"1579\" data-end=\"1834\"\u003e\u003cstrong data-start=\"1579\" data-end=\"1604\"\u003eDisplay, Body \u0026amp; Build\u003c\/strong\u003e\u003cbr data-start=\"1604\" data-end=\"1607\"\u003eLarge, bright \u003cstrong data-start=\"1623\" data-end=\"1671\"\u003e4-inch articulating (vari-angle) touchscreen\u003c\/strong\u003e, ~1000 nits brightness, DCI-P3 compatible. Body weighs ≈ \u003cstrong data-start=\"1729\" data-end=\"1738\"\u003e540 g\u003c\/strong\u003e (just body, excluding battery and media), weather-sealed.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1836\" data-end=\"2018\"\u003e\n\u003cp data-start=\"1838\" data-end=\"2018\"\u003e\u003cstrong data-start=\"1838\" data-end=\"1875\"\u003eLens Mount \/ System Compatibility\u003c\/strong\u003e\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eUses Nikon Z-mount, so you can leverage Nikon’s wide Z lens lineup (including cine-friendly lenses).\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2025\" data-end=\"2055\"\u003eStrengths \u0026amp; Considerations\u003c\/h3\u003e\n\u003cp data-start=\"2057\" data-end=\"2071\"\u003e\u003cstrong data-start=\"2057\" data-end=\"2071\"\u003eStrengths:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2073\" data-end=\"2551\"\u003e\n\u003cli data-start=\"2073\" data-end=\"2210\"\u003e\n\u003cp data-start=\"2075\" data-end=\"2210\"\u003eDelivers cinema-grade video features (6K RAW, high frame rates) in a lightweight, compact body.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2211\" data-end=\"2396\"\u003e\n\u003cp data-start=\"2213\" data-end=\"2396\"\u003eThe RED integration (R3D NE) is a big benefit for filmmakers who already work with RED, or want more flexibility in post-with raw file formats.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2397\" data-end=\"2551\"\u003e\n\u003cp data-start=\"2399\" data-end=\"2551\"\u003eExcellent audio options built in, reducing the need for external gear (though many pros will add accessories).\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2553\" data-end=\"2578\"\u003e\u003cstrong data-start=\"2553\" data-end=\"2578\"\u003ePotential Trade Offs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2580\" data-end=\"3013\"\u003e\n\u003cli data-start=\"2580\" data-end=\"2669\"\u003e\n\u003cp data-start=\"2582\" data-end=\"2669\"\u003eLack of electronic viewfinder (EVF) built-in.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2846\" data-end=\"3013\"\u003e\n\u003cp data-start=\"2848\" data-end=\"3013\"\u003eFor full utility, many users will want to invest in accessories (rigs, cages, grips, external mics) to maximize ergonomics.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3020\" data-end=\"3036\"\u003eWho It’s For\u003c\/h3\u003e\n\u003cp data-start=\"3038\" data-end=\"3066\"\u003eThe Nikon ZR is tailored to:\u003c\/p\u003e\n\u003cul data-start=\"3068\" data-end=\"3607\"\u003e\n\u003cli data-start=\"3068\" data-end=\"3185\"\u003e\n\u003cp data-start=\"3070\" data-end=\"3185\"\u003e\u003cstrong data-start=\"3070\" data-end=\"3117\"\u003eIndependent filmmakers and content creators\u003c\/strong\u003e who want cinema-class video in a relatively compact, light package.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3186\" data-end=\"3280\"\u003e\n\u003cp data-start=\"3188\" data-end=\"3280\"\u003e\u003cstrong data-start=\"3188\" data-end=\"3230\"\u003eRED users or post-production workflows\u003c\/strong\u003e where matching color and RAW flexibility matters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3281\" data-end=\"3416\"\u003e\n\u003cp data-start=\"3283\" data-end=\"3416\"\u003eUsers who prioritize \u003cstrong data-start=\"3304\" data-end=\"3325\"\u003evideo over stills\u003c\/strong\u003e (while the still photography capability is strong, the body is optimized more for motion).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3417\" data-end=\"3607\"\u003e\n\u003cp data-start=\"3419\" data-end=\"3607\"\u003eCreators who want excellent built-in audio and display, without carrying massive rigs — though those who want pro-level inputs and more rugged modular setups may need external accessories.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3614\" data-end=\"3625\"\u003eSummary\u003c\/h3\u003e\n\u003cp data-start=\"3627\" data-end=\"4089\"\u003eIf you’re seeking to step up to professional video quality without the bulk (and without the price tag of high-end cinema rigs), the Nikon ZR is a compelling proposition. It brings together Nikon’s imaging heritage and RED’s movie-centric tech into a feather-light body with strong video specs, dynamic range, and audio. For many creators, it could be their “go-to” camera for filmmaking, vlogging, commercials, or content that demands serious video performance.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":51050118283584,"sku":"2042","price":2749.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/NikonZRwith35mm1.jpg?v=1757609379"},{"product_id":"nikon-zr-6k-cinema-camera-with-50mm-f-1-4-lens-kit","title":"Nikon ZR 6K Cinema Camera with 50mm f\/1.4 Lens Kit","description":"\u003ch3 data-start=\"542\" data-end=\"558\"\u003eKey Features\u003c\/h3\u003e\n\u003cul data-start=\"560\" data-end=\"2018\"\u003e\n\u003cli data-start=\"560\" data-end=\"801\"\u003e\n\u003cp data-start=\"562\" data-end=\"801\"\u003e\u003cstrong data-start=\"562\" data-end=\"606\"\u003eFull-Frame 24MP Partially-Stacked Sensor\u003c\/strong\u003e\u003cbr data-start=\"606\" data-end=\"609\"\u003eShares imaging DNA with Nikon’s Z6 III line: delivering high resolution stills and high quality video by exploiting fast readout and good dynamic range. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"803\" data-end=\"1092\"\u003e\n\u003cp data-start=\"805\" data-end=\"1092\"\u003e\u003cstrong data-start=\"805\" data-end=\"845\"\u003eVideo Capabilities \u0026amp; RED Integration\u003c\/strong\u003e\u003cbr data-start=\"845\" data-end=\"848\"\u003eOffers internal RAW\/codec video up to \u003cstrong data-start=\"888\" data-end=\"903\"\u003e6K at 60fps\u003c\/strong\u003e and \u003cstrong data-start=\"908\" data-end=\"927\"\u003e4K up to 120fps\u003c\/strong\u003e, with support for new R3D NE*, Nikon’s RED-based RAW format. Two base ISOs (800 \/ 6400) aid flexibility in different lighting.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1094\" data-end=\"1330\"\u003e\n\u003cp data-start=\"1096\" data-end=\"1330\"\u003e\u003cstrong data-start=\"1096\" data-end=\"1129\"\u003eDynamic Range \u0026amp; Color Science\u003c\/strong\u003e\u003cbr data-start=\"1129\" data-end=\"1132\"\u003eOver \u003cstrong data-start=\"1139\" data-end=\"1168\"\u003e15 stops of dynamic range\u003c\/strong\u003e. Includes RED color science (colorimetry, exposure standards) to help match with existing RED workflows in post-production.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1332\" data-end=\"1575\"\u003e\n\u003cp data-start=\"1334\" data-end=\"1575\"\u003e\u003cstrong data-start=\"1334\" data-end=\"1365\"\u003eAudio \u0026amp; Microphone Features\u003c\/strong\u003e\u003cbr data-start=\"1365\" data-end=\"1368\"\u003eFirst Nikon camera with \u003cstrong data-start=\"1394\" data-end=\"1416\"\u003e32-bit float audio\u003c\/strong\u003e both via built-in mic and external mic input. Built-in mic uses Nokia’s OZO Audio system, with multiple pickup patterns.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1577\" data-end=\"1834\"\u003e\n\u003cp data-start=\"1579\" data-end=\"1834\"\u003e\u003cstrong data-start=\"1579\" data-end=\"1604\"\u003eDisplay, Body \u0026amp; Build\u003c\/strong\u003e\u003cbr data-start=\"1604\" data-end=\"1607\"\u003eLarge, bright \u003cstrong data-start=\"1623\" data-end=\"1671\"\u003e4-inch articulating (vari-angle) touchscreen\u003c\/strong\u003e, ~1000 nits brightness, DCI-P3 compatible. Body weighs ≈ \u003cstrong data-start=\"1729\" data-end=\"1738\"\u003e540 g\u003c\/strong\u003e (just body, excluding battery and media), weather-sealed.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1836\" data-end=\"2018\"\u003e\n\u003cp data-start=\"1838\" data-end=\"2018\"\u003e\u003cstrong data-start=\"1838\" data-end=\"1875\"\u003eLens Mount \/ System Compatibility\u003c\/strong\u003e\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eUses Nikon Z-mount, so you can leverage Nikon’s wide Z lens lineup (including cine-friendly lenses).\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2025\" data-end=\"2055\"\u003eStrengths \u0026amp; Considerations\u003c\/h3\u003e\n\u003cp data-start=\"2057\" data-end=\"2071\"\u003e\u003cstrong data-start=\"2057\" data-end=\"2071\"\u003eStrengths:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2073\" data-end=\"2551\"\u003e\n\u003cli data-start=\"2073\" data-end=\"2210\"\u003e\n\u003cp data-start=\"2075\" data-end=\"2210\"\u003eDelivers cinema-grade video features (6K RAW, high frame rates) in a lightweight, compact body.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2211\" data-end=\"2396\"\u003e\n\u003cp data-start=\"2213\" data-end=\"2396\"\u003eThe RED integration (R3D NE) is a big benefit for filmmakers who already work with RED, or want more flexibility in post-with raw file formats.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2397\" data-end=\"2551\"\u003e\n\u003cp data-start=\"2399\" data-end=\"2551\"\u003eExcellent audio options built in, reducing the need for external gear (though many pros will add accessories).\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2553\" data-end=\"2578\"\u003e\u003cstrong data-start=\"2553\" data-end=\"2578\"\u003ePotential Trade Offs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2580\" data-end=\"3013\"\u003e\n\u003cli data-start=\"2580\" data-end=\"2669\"\u003e\n\u003cp data-start=\"2582\" data-end=\"2669\"\u003eLack of electronic viewfinder (EVF) built-in.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2846\" data-end=\"3013\"\u003e\n\u003cp data-start=\"2848\" data-end=\"3013\"\u003eFor full utility, many users will want to invest in accessories (rigs, cages, grips, external mics) to maximize ergonomics.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3020\" data-end=\"3036\"\u003eWho It’s For\u003c\/h3\u003e\n\u003cp data-start=\"3038\" data-end=\"3066\"\u003eThe Nikon ZR is tailored to:\u003c\/p\u003e\n\u003cul data-start=\"3068\" data-end=\"3607\"\u003e\n\u003cli data-start=\"3068\" data-end=\"3185\"\u003e\n\u003cp data-start=\"3070\" data-end=\"3185\"\u003e\u003cstrong data-start=\"3070\" data-end=\"3117\"\u003eIndependent filmmakers and content creators\u003c\/strong\u003e who want cinema-class video in a relatively compact, light package.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3186\" data-end=\"3280\"\u003e\n\u003cp data-start=\"3188\" data-end=\"3280\"\u003e\u003cstrong data-start=\"3188\" data-end=\"3230\"\u003eRED users or post-production workflows\u003c\/strong\u003e where matching color and RAW flexibility matters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3281\" data-end=\"3416\"\u003e\n\u003cp data-start=\"3283\" data-end=\"3416\"\u003eUsers who prioritize \u003cstrong data-start=\"3304\" data-end=\"3325\"\u003evideo over stills\u003c\/strong\u003e (while the still photography capability is strong, the body is optimized more for motion).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3417\" data-end=\"3607\"\u003e\n\u003cp data-start=\"3419\" data-end=\"3607\"\u003eCreators who want excellent built-in audio and display, without carrying massive rigs — though those who want pro-level inputs and more rugged modular setups may need external accessories.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3614\" data-end=\"3625\"\u003eSummary\u003c\/h3\u003e\n\u003cp data-start=\"3627\" data-end=\"4089\"\u003eIf you’re seeking to step up to professional video quality without the bulk (and without the price tag of high-end cinema rigs), the Nikon ZR is a compelling proposition. It brings together Nikon’s imaging heritage and RED’s movie-centric tech into a feather-light body with strong video specs, dynamic range, and audio. For many creators, it could be their “go-to” camera for filmmaking, vlogging, commercials, or content that demands serious video performance.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":51050124476736,"sku":"2041","price":2649.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/NikonZRwith50mm1_531f4ac4-ba09-40a5-9906-153c4a1c83f9.jpg?v=1757609946"},{"product_id":"canon-eos-c50-cinema-camera-body-only","title":"Canon EOS C50 Full-Frame Cinema Camera (Canon RF)","description":"\u003ch3 data-start=\"130\" data-end=\"224\"\u003e\u003cem data-start=\"134\" data-end=\"224\"\u003eLightweight full-frame cinematography — for creators, storytellers, and hybrid shooters.\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp data-start=\"226\" data-end=\"661\"\u003eThe \u003cstrong data-start=\"230\" data-end=\"247\"\u003eCanon EOS C50\u003c\/strong\u003e redefines what a full-frame cinema camera can be: delivering world-class image quality, intuitive operation, and modern video tools in a compact, ergonomic body. Designed for indie filmmakers, content creators, storytellers, and professionals aiming for cinematic results without the bulk of larger rigs, the C50 brings Canon’s renowned color science and video performance into a practical, hybrid-ready platform.\u003c\/p\u003e\n\u003cp data-start=\"663\" data-end=\"1047\"\u003eWith a full-frame sensor, powerful autofocus, onboard ND filters, and native Canon RF lens compatibility, the C50 gives you a streamlined yet capable workflow — straight out of the box. Whether you’re shooting documentaries, corporate films, short films, weddings, interviews, or cinematic YouTube content, this camera delivers the look and flexibility that separates good from great.\u003c\/p\u003e\n\u003ch3 data-start=\"1054\" data-end=\"1118\"\u003e\u003cstrong data-start=\"1057\" data-end=\"1118\"\u003eWhy filmmakers and hybrid creators love the Canon EOS C50\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1120\" data-end=\"2194\"\u003e\n\u003cli data-start=\"1120\" data-end=\"1248\"\u003e\n\u003cp data-start=\"1122\" data-end=\"1248\"\u003e\u003cstrong data-start=\"1122\" data-end=\"1158\"\u003eFull-Frame Digital Cinema Sensor\u003c\/strong\u003e\u003cbr data-start=\"1158\" data-end=\"1161\"\u003eBeautiful depth, dynamic range, and low-light performance that elevates your visuals.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1250\" data-end=\"1424\"\u003e\n\u003cp data-start=\"1252\" data-end=\"1424\"\u003e\u003cstrong data-start=\"1252\" data-end=\"1279\"\u003eCanon RF Lens Ecosystem\u003c\/strong\u003e\u003cbr data-start=\"1279\" data-end=\"1282\"\u003eWorks with Canon’s growing lineup of RF lenses — from compact primes to professional zooms — letting you shape your look with trusted glass.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1426\" data-end=\"1566\"\u003e\n\u003cp data-start=\"1428\" data-end=\"1566\"\u003e\u003cstrong data-start=\"1428\" data-end=\"1458\"\u003eHigh-Performance Autofocus\u003c\/strong\u003e\u003cbr data-start=\"1458\" data-end=\"1461\"\u003eReliable Dual Pixel CMOS AF with face and subject tracking — crucial for run-and-gun and solo shooters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1568\" data-end=\"1752\"\u003e\n\u003cp data-start=\"1570\" data-end=\"1752\"\u003e\u003cstrong data-start=\"1570\" data-end=\"1593\"\u003eInternal ND Filters\u003c\/strong\u003e\u003cbr data-start=\"1593\" data-end=\"1596\"\u003eBuilt-in variable neutral density lets you control exposure, maintain your desired aperture, and capture cinematic motion blur — without external filters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1754\" data-end=\"1900\"\u003e\n\u003cp data-start=\"1756\" data-end=\"1900\"\u003e\u003cstrong data-start=\"1756\" data-end=\"1785\"\u003eRobust Video Capabilities\u003c\/strong\u003e\u003cbr data-start=\"1785\" data-end=\"1788\"\u003eProfessional codecs and frame rates give you flexibility for timelines, delivery formats, and creative intent.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1902\" data-end=\"2052\"\u003e\n\u003cp data-start=\"1904\" data-end=\"2052\"\u003e\u003cstrong data-start=\"1904\" data-end=\"1933\"\u003eCompact, Ergonomic Design\u003c\/strong\u003e\u003cbr data-start=\"1933\" data-end=\"1936\"\u003eLightweight enough for gimbals, drones, shoulder rigs, and travel; intuitive controls for fast setup and shooting.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2054\" data-end=\"2194\"\u003e\n\u003cp data-start=\"2056\" data-end=\"2194\"\u003e\u003cstrong data-start=\"2056\" data-end=\"2084\"\u003eHybrid-Friendly Workflow\u003c\/strong\u003e\u003cbr data-start=\"2084\" data-end=\"2087\"\u003eExcellent for photographers stepping into motion, and videographers who also capture high-quality stills.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2201\" data-end=\"2232\"\u003e\u003cstrong data-start=\"2204\" data-end=\"2232\"\u003eKey Features at a Glance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2234\" data-end=\"2300\"\u003e(You can paste this right into a spec table on your product page.)\u003c\/p\u003e\n\u003cul data-start=\"2302\" data-end=\"3052\"\u003e\n\u003cli data-start=\"2302\" data-end=\"2333\"\u003e\n\u003cp data-start=\"2304\" data-end=\"2333\"\u003e\u003cstrong data-start=\"2304\" data-end=\"2315\"\u003eSensor:\u003c\/strong\u003e Full-Frame CMOS\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2334\" data-end=\"2362\"\u003e\n\u003cp data-start=\"2336\" data-end=\"2362\"\u003e\u003cstrong data-start=\"2336\" data-end=\"2351\"\u003eLens Mount:\u003c\/strong\u003e Canon RF\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2363\" data-end=\"2423\"\u003e\n\u003cp data-start=\"2365\" data-end=\"2423\"\u003e\u003cstrong data-start=\"2365\" data-end=\"2379\"\u003eAutofocus:\u003c\/strong\u003e Dual Pixel CMOS AF with advanced tracking\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2424\" data-end=\"2469\"\u003e\n\u003cp data-start=\"2426\" data-end=\"2469\"\u003e\u003cstrong data-start=\"2426\" data-end=\"2442\"\u003eInternal ND:\u003c\/strong\u003e Yes (variable ND system)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2470\" data-end=\"2527\"\u003e\n\u003cp data-start=\"2472\" data-end=\"2527\"\u003e\u003cstrong data-start=\"2472\" data-end=\"2494\"\u003eVideo Resolutions:\u003c\/strong\u003e Cinema-grade 4K and HD options\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2528\" data-end=\"2608\"\u003e\n\u003cp data-start=\"2530\" data-end=\"2608\"\u003e\u003cstrong data-start=\"2530\" data-end=\"2541\"\u003eCodecs:\u003c\/strong\u003e High-quality professional encoding — ideal for editing workflows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2609\" data-end=\"2684\"\u003e\n\u003cp data-start=\"2611\" data-end=\"2684\"\u003e\u003cstrong data-start=\"2611\" data-end=\"2635\"\u003eImage Stabilization:\u003c\/strong\u003e Lens-based \/ in-body support depending on lens\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2685\" data-end=\"2757\"\u003e\n\u003cp data-start=\"2687\" data-end=\"2757\"\u003e\u003cstrong data-start=\"2687\" data-end=\"2701\"\u003eRecording:\u003c\/strong\u003e Internal and external options via standard connectors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2758\" data-end=\"2829\"\u003e\n\u003cp data-start=\"2760\" data-end=\"2829\"\u003e\u003cstrong data-start=\"2760\" data-end=\"2778\"\u003eDisplay \u0026amp; EVF:\u003c\/strong\u003e Articulating LCD + optional EVF workflow support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2830\" data-end=\"2910\"\u003e\n\u003cp data-start=\"2832\" data-end=\"2910\"\u003e\u003cstrong data-start=\"2832\" data-end=\"2849\"\u003eConnectivity:\u003c\/strong\u003e HDMI, USB-C, mic\/line inputs, timecode (varies by package)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2911\" data-end=\"2979\"\u003e\n\u003cp data-start=\"2913\" data-end=\"2979\"\u003e\u003cstrong data-start=\"2913\" data-end=\"2923\"\u003eBuild:\u003c\/strong\u003e Lightweight cinema body with thoughtful button layout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2980\" data-end=\"3052\"\u003e\n\u003cp data-start=\"2982\" data-end=\"3052\"\u003e\u003cstrong data-start=\"2982\" data-end=\"2992\"\u003ePower:\u003c\/strong\u003e Compatible with standard cinema and high-capacity batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3059\" data-end=\"3075\"\u003e\u003cstrong data-start=\"3062\" data-end=\"3075\"\u003eIdeal for\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3077\" data-end=\"3283\"\u003eIndie filmmakers, hybrid shooters, content creators, documentary teams, videographers capturing weddings or events, and anyone ready to take their video quality to the next level while keeping a nimble kit.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51066993180992,"sku":"7034C002","price":3899.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/CanonEOSC501.jpg?v=1765564426"},{"product_id":"canon-eos-r6-v-mirrorless-camera-body","title":"Canon EOS R6 V Full-Frame Mirrorless Camera Body","description":"\u003cp data-end=\"779\" data-start=\"718\"\u003e\u003cstrong data-end=\"779\" data-start=\"718\"\u003eA full-frame Canon built for creators who live in motion.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1218\" data-start=\"781\"\u003eThe Canon EOS R6 V is a video-first full-frame mirrorless camera designed for creators, filmmakers, streamers, and hybrid shooters who want high-end video tools in a compact RF-mount body. Built around a 32.5MP full-frame CMOS sensor, the EOS R6 V records up to 7K RAW, offers Open Gate recording for flexible reframing, captures oversampled 4K up to 60p, and supports uncropped 4K 120p slow motion. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1718\" data-start=\"1220\"\u003eWhere the EOS R6 Mark III is a true photo\/video hybrid with an electronic viewfinder and a more traditional camera layout, the EOS R6 V leans deliberately toward video production. It adds a compact flat-body design, front record button, tally lamp, vertical tripod socket, zoom lever for compatible power zoom lenses, active cooling, full-size HDMI, USB-C streaming up to 4K 60p, and creator-friendly monitoring tools such as waveform, false color, and zebras. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1750\" data-start=\"1720\" data-section-id=\"1qy7z7z\"\u003eLooking Glass Photo’s Take:\u003c\/h3\u003e\n\u003cp data-end=\"1948\" data-start=\"1752\"\u003eThe EOS R6 V is Canon getting very clear about who this camera is for. This is not simply an R6 Mark III with a different badge. It is the R6 platform reshaped for people who primarily make video.\u003c\/p\u003e\n\u003cp data-end=\"2309\" data-start=\"1950\"\u003eThat means there are real tradeoffs. If you want an all-around stills camera for weddings, portraits, sports, events, wildlife, or everyday photography, the EOS R6 Mark III is likely the more natural choice. It gives you the same 32.5MP full-frame resolution, strong autofocus, fast still shooting, in-body stabilization, and a built-in electronic viewfinder.\u003c\/p\u003e\n\u003cp data-end=\"2757\" data-start=\"2311\"\u003eBut if your work is built around video — YouTube, interviews, podcasts, vertical content, product demos, documentary-style work, small crew production, or handheld\/gimbal shooting — the EOS R6 V makes a lot of sense. The active cooling, Open Gate recording, creator-focused controls, vertical mounting, front-facing usability, and streaming features all point toward a camera designed to make video production simpler, cleaner, and more flexible.\u003c\/p\u003e\n\u003ch3 data-end=\"2803\" data-start=\"2759\" data-section-id=\"m9ethi\"\u003eWhy creators will like the Canon EOS R6 V\u003c\/h3\u003e\n\u003cul data-end=\"4431\" data-start=\"2805\"\u003e\n\u003cli data-end=\"2942\" data-start=\"2805\" data-section-id=\"1duvubs\"\u003e\n\u003cstrong data-end=\"2840\" data-start=\"2807\"\u003e32.5MP full-frame CMOS sensor\u003c\/strong\u003e — Gives you detailed stills and high-resolution video capture from a full-frame RF-mount camera body.\u003c\/li\u003e\n\u003cli data-end=\"3062\" data-start=\"2944\" data-section-id=\"1ax7kgx\"\u003e\n\u003cstrong data-end=\"2972\" data-start=\"2946\"\u003e7K RAW video recording\u003c\/strong\u003e — Captures high-resolution footage with more flexibility for grading and post-production.\u003c\/li\u003e\n\u003cli data-end=\"3216\" data-start=\"3064\" data-section-id=\"1dfel9\"\u003e\n\u003cstrong data-end=\"3089\" data-start=\"3066\"\u003eOpen Gate recording\u003c\/strong\u003e — Uses the full 3:2 sensor area so you can crop one clip into horizontal, vertical, or square formats for different platforms.\u003c\/li\u003e\n\u003cli data-end=\"3333\" data-start=\"3218\" data-section-id=\"ar2jgw\"\u003e\n\u003cstrong data-end=\"3248\" data-start=\"3220\"\u003eOversampled 4K up to 60p\u003c\/strong\u003e — Creates detailed 4K footage from the camera’s higher-resolution 7K sensor readout.\u003c\/li\u003e\n\u003cli data-end=\"3439\" data-start=\"3335\" data-section-id=\"1no7hp9\"\u003e\n\u003cstrong data-end=\"3358\" data-start=\"3337\"\u003eUncropped 4K 120p\u003c\/strong\u003e — Gives creators slow-motion 4K recording without the framing penalty of a crop.\u003c\/li\u003e\n\u003cli data-end=\"3571\" data-start=\"3441\" data-section-id=\"omvwyc\"\u003e\n\u003cstrong data-end=\"3490\" data-start=\"3443\"\u003eIn-body image stabilization up to 7.5 stops\u003c\/strong\u003e — Helps smooth handheld shooting, especially when paired with compatible lenses.\u003c\/li\u003e\n\u003cli data-end=\"3691\" data-start=\"3573\" data-section-id=\"7gjrix\"\u003e\n\u003cstrong data-end=\"3597\" data-start=\"3575\"\u003eActive cooling fan\u003c\/strong\u003e — Supports longer-form video work such as interviews, podcasts, tutorials, and product demos.\u003c\/li\u003e\n\u003cli data-end=\"3800\" data-start=\"3693\" data-section-id=\"160ujeo\"\u003e\n\u003cstrong data-end=\"3720\" data-start=\"3695\"\u003eDual Pixel CMOS AF II\u003c\/strong\u003e — Tracks people, animals, and vehicles with Eye\/Face Detection and Tracking AF.\u003c\/li\u003e\n\u003cli data-end=\"4003\" data-start=\"3802\" data-section-id=\"1hevygn\"\u003e\n\u003cstrong data-end=\"3836\" data-start=\"3804\"\u003eCreator-friendly body design\u003c\/strong\u003e — Includes a front record button, tally lamp, vari-angle screen, vertical tripod socket, and vertical interface for easier self-recording and social-first production.\u003c\/li\u003e\n\u003cli data-end=\"4139\" data-start=\"4005\" data-section-id=\"yc3gk\"\u003e\n\u003cstrong data-end=\"4052\" data-start=\"4007\"\u003eBuilt-in zoom lever for compatible lenses\u003c\/strong\u003e — Smoothly controls supported power zoom lenses such as the RF 20-50mm F4 L IS USM PZ.\u003c\/li\u003e\n\u003cli data-end=\"4284\" data-start=\"4141\" data-section-id=\"1guo0py\"\u003e\n\u003cstrong data-end=\"4162\" data-start=\"4143\"\u003eDual card slots\u003c\/strong\u003e — Supports flexible recording setups, including separating stills and video, backups, proxies, and relay-style workflows.\u003c\/li\u003e\n\u003cli data-end=\"4431\" data-start=\"4286\" data-section-id=\"148v2nu\"\u003e\n\u003cstrong data-end=\"4323\" data-start=\"4288\"\u003e4K 60p UVC streaming over USB-C\u003c\/strong\u003e — Lets the camera serve as a high-quality livestreaming or webcam tool without a complicated capture setup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"4445\" data-start=\"4433\" data-section-id=\"1vds6xn\"\u003eIdeal for\u003c\/h3\u003e\n\u003cp data-end=\"4724\" data-start=\"4447\"\u003eVideo creators, YouTubers, filmmakers, podcasters, interview shooters, educators, product-demo creators, social media teams, and Canon RF users who want a full-frame video-first camera with strong autofocus, Open Gate recording, internal cooling, and flexible creator controls.\u003c\/p\u003e\n\u003ch1 data-end=\"4790\" data-start=\"4731\" data-section-id=\"1hx4c2a\"\u003eCanon EOS R6 V vs. Canon EOS R6 Mark III Comparison Chart\u003c\/h1\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"8133\" data-start=\"4792\"\u003e\n\u003cthead data-end=\"4859\" data-start=\"4792\"\u003e\n\u003ctr data-end=\"4859\" data-start=\"4792\"\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"sm\" data-end=\"4802\" data-start=\"4792\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"md\" data-end=\"4819\" data-start=\"4802\"\u003eCanon EOS R6 V\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"md\" data-end=\"4843\" data-start=\"4819\"\u003eCanon EOS R6 Mark III\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"md\" data-end=\"4859\" data-start=\"4843\"\u003eWhat changed\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"8133\" data-start=\"4880\"\u003e\n\u003ctr data-end=\"5034\" data-start=\"4880\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"4897\" data-start=\"4880\"\u003eCamera concept\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"4942\" data-start=\"4897\"\u003eVideo-first EOS V-series full-frame camera\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"4996\" data-start=\"4942\"\u003eFull-frame hybrid stills\/video EOS R6-series camera\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5034\" data-start=\"4996\"\u003eR6 V is more creator\/video focused\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5120\" data-start=\"5035\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5044\" data-start=\"5035\"\u003eSensor\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5069\" data-start=\"5044\"\u003e32.5MP full-frame CMOS\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5094\" data-start=\"5069\"\u003e32.5MP full-frame CMOS\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5120\" data-start=\"5094\"\u003eSame stated resolution\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5171\" data-start=\"5121\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5134\" data-start=\"5121\"\u003eLens mount\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5145\" data-start=\"5134\"\u003eCanon RF\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5156\" data-start=\"5145\"\u003eCanon RF\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5171\" data-start=\"5156\"\u003eSame system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5281\" data-start=\"5172\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5194\" data-start=\"5172\"\u003eImage stabilization\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5212\" data-start=\"5194\"\u003eUp to 7.5 stops\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5230\" data-start=\"5212\"\u003eUp to 8.5 stops\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5281\" data-start=\"5230\"\u003eR6 Mark III has the higher stabilization rating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5539\" data-start=\"5282\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5294\" data-start=\"5282\"\u003eAutofocus\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5392\" data-start=\"5294\"\u003eDual Pixel CMOS AF II with Eye\/Face Detection and Tracking AF for people, animals, and vehicles\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5490\" data-start=\"5392\"\u003eDual Pixel CMOS AF II with Eye\/Face Detection and Tracking AF for people, animals, and vehicles\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5539\" data-start=\"5490\"\u003eCore subject-detection categories are similar\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5626\" data-start=\"5540\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5567\" data-start=\"5540\"\u003eLow-light AF sensitivity\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5583\" data-start=\"5567\"\u003eEV -6.5 to 21\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5599\" data-start=\"5583\"\u003eEV -6.5 to 21\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5626\" data-start=\"5599\"\u003eSame stated sensitivity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5764\" data-start=\"5627\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5651\" data-start=\"5627\"\u003eElectronic viewfinder\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5669\" data-start=\"5651\"\u003eNo built-in EVF\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5703\" data-start=\"5669\"\u003e3.69M-dot electronic viewfinder\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5764\" data-start=\"5703\"\u003eR6 Mark III is better suited to eye-level stills shooting\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5918\" data-start=\"5765\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5786\" data-start=\"5765\"\u003eMechanical shutter\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5835\" data-start=\"5786\"\u003eNo mechanical shutter; electronic shutter only\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5879\" data-start=\"5835\"\u003eMechanical and electronic shutter options\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5918\" data-start=\"5879\"\u003eR6 V removes the mechanical shutter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6095\" data-start=\"5919\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5941\" data-start=\"5919\"\u003eContinuous shooting\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5975\" data-start=\"5941\"\u003eUp to 40 fps electronic shutter\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6021\" data-start=\"5975\"\u003eUp to 12 fps mechanical \/ 40 fps electronic\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6095\" data-start=\"6021\"\u003eSimilar top electronic burst rate; R6 Mark III adds mechanical shutter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6261\" data-start=\"6096\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6115\" data-start=\"6096\"\u003eVideo resolution\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6167\" data-start=\"6115\"\u003e7K RAW, 7K Open Gate, 4K DCI\/UHD, 2K DCI, Full HD\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6219\" data-start=\"6167\"\u003e7K RAW, 7K Open Gate, 4K DCI\/UHD, 2K DCI, Full HD\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6261\" data-start=\"6219\"\u003eSimilar headline recording resolutions\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6362\" data-start=\"6262\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6274\" data-start=\"6262\"\u003eOpen Gate\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6305\" data-start=\"6274\"\u003eYes, 3:2 Open Gate recording\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6336\" data-start=\"6305\"\u003eYes, 3:2 Open Gate recording\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6362\" data-start=\"6336\"\u003eBoth support Open Gate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6461\" data-start=\"6363\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6380\" data-start=\"6363\"\u003e4K slow motion\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6400\" data-start=\"6380\"\u003eUncropped 4K 120p\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6420\" data-start=\"6400\"\u003e4K UHD up to 120p\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6461\" data-start=\"6420\"\u003eSimilar high-frame-rate 4K capability\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6593\" data-start=\"6462\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6489\" data-start=\"6462\"\u003e2K \/ Full HD slow motion\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6526\" data-start=\"6489\"\u003e2K up to 180p \/ Full HD up to 180p\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6563\" data-start=\"6526\"\u003e2K up to 180p \/ Full HD up to 180p\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6593\" data-start=\"6563\"\u003eSimilar stated frame rates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6774\" data-start=\"6594\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6611\" data-start=\"6594\"\u003eActive cooling\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6639\" data-start=\"6611\"\u003eYes, internal cooling fan\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6726\" data-start=\"6639\"\u003eHeat-dissipating structure, but not the same flat-body fan-cooled video-first design\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6774\" data-start=\"6726\"\u003eR6 V is better optimized for long-form video\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6918\" data-start=\"6775\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6797\" data-start=\"6775\"\u003eFront record button\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6803\" data-start=\"6797\"\u003eYes\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6878\" data-start=\"6803\"\u003eInstant movie record button, but more traditional stills-oriented layout\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6918\" data-start=\"6878\"\u003eR6 V is more self-recording friendly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6981\" data-start=\"6919\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6932\" data-start=\"6919\"\u003eTally lamp\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6938\" data-start=\"6932\"\u003eYes\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6944\" data-start=\"6938\"\u003eYes\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6981\" data-start=\"6944\"\u003eBoth include recording visibility\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7119\" data-start=\"6982\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6995\" data-start=\"6982\"\u003eZoom lever\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7035\" data-start=\"6995\"\u003eYes, for compatible power zoom lenses\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7075\" data-start=\"7035\"\u003eNot emphasized as a core body feature\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7119\" data-start=\"7075\"\u003eR6 V adds more direct video lens control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7251\" data-start=\"7120\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7145\" data-start=\"7120\"\u003eVertical tripod socket\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7151\" data-start=\"7145\"\u003eYes\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7196\" data-start=\"7151\"\u003eNo dedicated vertical tripod socket listed\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7251\" data-start=\"7196\"\u003eR6 V is better suited to vertical\/social production\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7339\" data-start=\"7252\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7266\" data-start=\"7252\"\u003eRear screen\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7283\" data-start=\"7266\"\u003eVari-angle LCD\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7300\" data-start=\"7283\"\u003eVari-angle LCD\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7339\" data-start=\"7300\"\u003eSimilar flexible monitoring concept\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7430\" data-start=\"7340\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7347\" data-start=\"7340\"\u003eHDMI\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7364\" data-start=\"7347\"\u003eFull-size HDMI\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7381\" data-start=\"7364\"\u003eFull-size HDMI\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7430\" data-start=\"7381\"\u003eBoth support more secure external connections\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7542\" data-start=\"7431\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7447\" data-start=\"7431\"\u003eUSB streaming\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7482\" data-start=\"7447\"\u003eUSB-C UVC streaming up to 4K 60p\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7506\" data-start=\"7482\"\u003eUSB UVC\/UAC streaming\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7542\" data-start=\"7506\"\u003eR6 V emphasizes 4K 60p streaming\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7650\" data-start=\"7543\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7556\" data-start=\"7543\"\u003eCard slots\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7574\" data-start=\"7556\"\u003eDual card slots\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7605\" data-start=\"7574\"\u003eCFexpress Type B + UHS-II SD\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7650\" data-start=\"7605\"\u003eBoth support flexible dual-card workflows\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7711\" data-start=\"7651\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7661\" data-start=\"7651\"\u003eBattery\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7670\" data-start=\"7661\"\u003eLP-E6P\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7679\" data-start=\"7670\"\u003eLP-E6P\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7711\" data-start=\"7679\"\u003eSame supplied battery family\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7876\" data-start=\"7712\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7737\" data-start=\"7712\"\u003eBody-only launch price\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7756\" data-start=\"7737\"\u003eEstimated $2,499\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7832\" data-start=\"7756\"\u003eR6 Mark III launched\/positioned higher; The Verge notes R6 V is $300 less\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7876\" data-start=\"7832\"\u003eR6 V is lower-priced body-only at launch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"8133\" data-start=\"7877\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7888\" data-start=\"7877\"\u003eBest fit\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7983\" data-start=\"7888\"\u003eVideo-first creators, streamers, solo shooters, vertical\/social content, long-form recording\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"8078\" data-start=\"7983\"\u003eHybrid photographers, stills-first shooters, weddings, events, wildlife, sports, general use\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"8133\" data-start=\"8078\"\u003eChoose based on whether video or stills comes first\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52008482963776,"sku":"7250C002","price":2499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/CanonEOSR6VMirrorlessCamera1.jpg?v=1778695230"},{"product_id":"canon-eos-r6-v-mirrorless-camera-with-20-50mm-f-4-lens","title":"Canon EOS R6 V Mirrorless Camera with 20-50mm f\/4 Lens","description":"\u003cp data-end=\"482\" data-start=\"400\"\u003e\u003cstrong data-end=\"482\" data-start=\"400\"\u003eA full-frame creator kit built for motion, flexibility, and modern video work.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"979\" data-start=\"484\"\u003eThe Canon EOS R6 V Mirrorless Camera with RF20-50mm F4 L IS USM PZ lens brings together Canon’s first full-frame EOS V-series camera and its first L-series lens with built-in power zoom. Designed for content creators, filmmakers, livestreamers, educators, interview shooters, and hybrid video teams, this kit pairs a 32.5MP full-frame RF-mount camera with a compact constant-aperture 20-50mm f\/4 L-series zoom built specifically for smooth video production. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1509\" data-start=\"981\"\u003eThe EOS R6 V records 7K RAW, 7K Open Gate, oversampled 4K up to 60p, and uncropped 4K up to 120p, while offering creator-focused tools such as active cooling, a front record button, tally lamp, full-size HDMI, waveform, false color, dual card recording, vertical shooting support, and a built-in power zoom lever. Paired with the RF20-50mm F4 L IS USM PZ, it becomes a compact full-frame video kit for gimbal work, handheld shooting, interviews, vertical content, and small-crew production. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1541\" data-start=\"1511\" data-section-id=\"1qy7z7z\"\u003eLooking Glass Photo’s Take:\u003c\/h3\u003e\n\u003cp data-end=\"1605\" data-start=\"1543\"\u003eThis is probably the most interesting way to buy the EOS R6 V.\u003c\/p\u003e\n\u003cp data-end=\"2076\" data-start=\"1607\"\u003eThe body alone is already very video-forward, but the RF20-50mm F4 L IS USM PZ lens makes the whole concept click. A 20-50mm range is wider and more creator-friendly than the traditional 24-105mm kit lens approach, especially for handheld video, tight rooms, vlogging, interviews, gimbal work, and vertical content. The built-in power zoom also gives the camera’s zoom lever a real purpose, making the kit feel like a designed system rather than a body-and-lens bundle.\u003c\/p\u003e\n\u003cp data-end=\"2454\" data-start=\"2078\"\u003eThe tradeoff is reach. If someone wants one lens for travel, events, portraits, and general still photography, 20-50mm may feel short compared to a 24-105mm. But for video-first creators who need wide coverage, smooth zoom control, internal zoom balance, active cooling, and Canon’s full-frame color and autofocus system, this kit is the cleanest EOS R6 V setup to start with.\u003c\/p\u003e\n\u003ch3 data-end=\"2530\" data-start=\"2456\" data-section-id=\"5gtoe7\"\u003eWhy creators will like the Canon EOS R6 V with RF20-50mm F4 L IS USM PZ\u003c\/h3\u003e\n\u003cul data-end=\"4440\" data-start=\"2532\"\u003e\n\u003cli data-end=\"2666\" data-start=\"2532\" data-section-id=\"7lk46y\"\u003e\n\u003cstrong data-end=\"2567\" data-start=\"2534\"\u003e32.5MP full-frame CMOS sensor\u003c\/strong\u003e — Gives creators a detailed full-frame capture platform for both high-resolution video and stills.\u003c\/li\u003e\n\u003cli data-end=\"2834\" data-start=\"2668\" data-section-id=\"1dd6itf\"\u003e\n\u003cstrong data-end=\"2707\" data-start=\"2670\"\u003e7K RAW and 7K Open Gate recording\u003c\/strong\u003e — Captures high-resolution footage with flexible framing for horizontal, vertical, and square crops from the same sensor area.\u003c\/li\u003e\n\u003cli data-end=\"2985\" data-start=\"2836\" data-section-id=\"s5ohs8\"\u003e\n\u003cstrong data-end=\"2894\" data-start=\"2838\"\u003eOversampled 4K up to 60p and uncropped 4K up to 120p\u003c\/strong\u003e — Gives video creators detailed 4K capture and slow-motion options without a crop penalty.\u003c\/li\u003e\n\u003cli data-end=\"3150\" data-start=\"2987\" data-section-id=\"1u6gh3y\"\u003e\n\u003cstrong data-end=\"3014\" data-start=\"2989\"\u003eActive cooling system\u003c\/strong\u003e — Helps support longer-form production, including interviews, podcasts, educational content, product demos, and documentary-style work.\u003c\/li\u003e\n\u003cli data-end=\"3361\" data-start=\"3152\" data-section-id=\"1vntpf9\"\u003e\n\u003cstrong data-end=\"3196\" data-start=\"3154\"\u003eRF20-50mm F4 L IS USM PZ lens included\u003c\/strong\u003e — Covers ultra-wide to standard framing, making it useful for handheld video, gimbal work, interviews, indoor scenes, establishing shots, and everyday creator work.\u003c\/li\u003e\n\u003cli data-end=\"3516\" data-start=\"3363\" data-section-id=\"1789yz1\"\u003e\n\u003cstrong data-end=\"3390\" data-start=\"3365\"\u003eConstant f\/4 aperture\u003c\/strong\u003e — Maintains consistent brightness while zooming from 20mm to 50mm, which is especially helpful for video exposure continuity.\u003c\/li\u003e\n\u003cli data-end=\"3696\" data-start=\"3518\" data-section-id=\"dxa8y6\"\u003e\n\u003cstrong data-end=\"3543\" data-start=\"3520\"\u003eBuilt-in power zoom\u003c\/strong\u003e — Allows smooth zoom movement without an added external zoom accessory, with switching between manual and power zoom controlled from a single zoom ring.\u003c\/li\u003e\n\u003cli data-end=\"3837\" data-start=\"3698\" data-section-id=\"1u80znw\"\u003e\n\u003cstrong data-end=\"3732\" data-start=\"3700\"\u003eInternal optical zoom design\u003c\/strong\u003e — Keeps balance more consistent while zooming, which is especially valuable on gimbals and compact rigs.\u003c\/li\u003e\n\u003cli data-end=\"3986\" data-start=\"3839\" data-section-id=\"1e3vp7g\"\u003e\n\u003cstrong data-end=\"3873\" data-start=\"3841\"\u003eCamera-integrated zoom lever\u003c\/strong\u003e — Gives the EOS R6 V smooth, precise zoom control with compatible RF Power Zoom lenses, including this kit lens.\u003c\/li\u003e\n\u003cli data-end=\"4159\" data-start=\"3988\" data-section-id=\"nmg0g3\"\u003e\n\u003cstrong data-end=\"4017\" data-start=\"3990\"\u003eVideo-first body design\u003c\/strong\u003e — Includes a front record button, tally lamp, vari-angle LCD, vertical shooting support, dedicated vertical tripod mount, and full-size HDMI.\u003c\/li\u003e\n\u003cli data-end=\"4286\" data-start=\"4161\" data-section-id=\"12rsvui\"\u003e\n\u003cstrong data-end=\"4196\" data-start=\"4163\"\u003eProfessional monitoring tools\u003c\/strong\u003e — False color, waveform, and zebras help creators judge exposure more confidently on set.\u003c\/li\u003e\n\u003cli data-end=\"4440\" data-start=\"4288\" data-section-id=\"gt1e1x\"\u003e\n\u003cstrong data-end=\"4313\" data-start=\"4290\"\u003eDual card recording\u003c\/strong\u003e — CFexpress Type B and UHS-II SD slots allow flexible recording setups, including simultaneous recording or splitting formats.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"4454\" data-start=\"4442\" data-section-id=\"1vds6xn\"\u003eIdeal for\u003c\/h3\u003e\n\u003cp data-end=\"4682\" data-start=\"4456\"\u003eVideo creators, filmmakers, YouTubers, educators, livestreamers, interview shooters, podcasters, social media teams, gimbal operators, and Canon RF users who want a compact full-frame video kit with a power zoom lens included.\u003c\/p\u003e\n\u003ch1 data-end=\"4783\" data-start=\"4689\" data-section-id=\"1l99id1\"\u003eCanon EOS R6 V with RF20-50mm F4 L IS USM PZ vs. EOS R6 Mark III with RF24-105mm F4 L IS USM\u003c\/h1\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"7388\" data-start=\"4785\"\u003e\n\u003cthead data-end=\"4904\" data-start=\"4785\"\u003e\n\u003ctr data-end=\"4904\" data-start=\"4785\"\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"sm\" data-end=\"4795\" data-start=\"4785\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"md\" data-end=\"4839\" data-start=\"4795\"\u003eCanon EOS R6 V + RF20-50mm F4 L IS USM PZ\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"md\" data-end=\"4888\" data-start=\"4839\"\u003eCanon EOS R6 Mark III + RF24-105mm F4 L IS USM\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"md\" data-end=\"4904\" data-start=\"4888\"\u003eWhat changed\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"7388\" data-start=\"4925\"\u003e\n\u003ctr data-end=\"5059\" data-start=\"4925\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"4940\" data-start=\"4925\"\u003eMain purpose\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"4977\" data-start=\"4940\"\u003eVideo-first full-frame creator kit\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5014\" data-start=\"4977\"\u003eHybrid stills\/video full-frame kit\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5059\" data-start=\"5014\"\u003eR6 V kit is more production\/video focused\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5152\" data-start=\"5060\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5076\" data-start=\"5060\"\u003eCamera sensor\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5101\" data-start=\"5076\"\u003e32.5MP full-frame CMOS\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5126\" data-start=\"5101\"\u003e32.5MP full-frame CMOS\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5152\" data-start=\"5126\"\u003eSame stated resolution\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5267\" data-start=\"5153\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5169\" data-start=\"5153\"\u003eLens included\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5196\" data-start=\"5169\"\u003eRF20-50mm F4 L IS USM PZ\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5221\" data-start=\"5196\"\u003eRF24-105mm F4 L IS USM\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5267\" data-start=\"5221\"\u003eNew kit favors wide-to-standard video work\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5348\" data-start=\"5268\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5284\" data-start=\"5268\"\u003eLens aperture\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5299\" data-start=\"5284\"\u003eConstant f\/4\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5314\" data-start=\"5299\"\u003eConstant f\/4\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5348\" data-start=\"5314\"\u003eSame maximum aperture behavior\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5483\" data-start=\"5349\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5366\" data-start=\"5349\"\u003eLens zoom type\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5419\" data-start=\"5366\"\u003eBuilt-in power zoom with manual\/power zoom control\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5445\" data-start=\"5419\"\u003eTraditional manual zoom\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5483\" data-start=\"5445\"\u003eR6 V kit adds powered zoom control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5613\" data-start=\"5484\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5503\" data-start=\"5484\"\u003eLens zoom design\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5527\" data-start=\"5503\"\u003eInternal optical zoom\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5570\" data-start=\"5527\"\u003eExtending zoom design on RF24-105mm F4 L\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5613\" data-start=\"5570\"\u003eR6 V kit better supports gimbal balance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5707\" data-start=\"5614\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5628\" data-start=\"5614\"\u003eFocal range\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5638\" data-start=\"5628\"\u003e20-50mm\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5649\" data-start=\"5638\"\u003e24-105mm\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5707\" data-start=\"5649\"\u003eR6 V kit is wider; R6 Mark III kit has much more reach\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"5901\" data-start=\"5708\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5729\" data-start=\"5708\"\u003eBest lens use case\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5810\" data-start=\"5729\"\u003eVideo, gimbals, handheld creator work, interiors, interviews, vertical content\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5868\" data-start=\"5810\"\u003eTravel, events, portraits, everyday hybrid stills\/video\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5901\" data-start=\"5868\"\u003eDifferent creative priorities\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6014\" data-start=\"5902\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"5926\" data-start=\"5902\"\u003eElectronic viewfinder\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5944\" data-start=\"5926\"\u003eNo built-in EVF\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"5959\" data-start=\"5944\"\u003eBuilt-in EVF\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6014\" data-start=\"5959\"\u003eR6 Mark III is better for eye-level stills shooting\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6198\" data-start=\"6015\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6036\" data-start=\"6015\"\u003eMechanical shutter\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6085\" data-start=\"6036\"\u003eNo mechanical shutter; electronic shutter only\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6154\" data-start=\"6085\"\u003eMechanical, electronic first curtain, and electronic shutter modes\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6198\" data-start=\"6154\"\u003eR6 Mark III remains more stills-oriented\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6375\" data-start=\"6199\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6217\" data-start=\"6199\"\u003eVideo recording\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6279\" data-start=\"6217\"\u003e7K RAW, 7K Open Gate, oversampled 4K 60p, uncropped 4K 120p\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6311\" data-start=\"6279\"\u003e7K RAW, 7K Open Gate, 4K 120p\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6375\" data-start=\"6311\"\u003eSimilar headline video resolution, different body philosophy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6476\" data-start=\"6376\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6393\" data-start=\"6376\"\u003eActive cooling\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6399\" data-start=\"6393\"\u003eYes\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6432\" data-start=\"6399\"\u003eNo fan-cooled flat-body design\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6476\" data-start=\"6432\"\u003eR6 V is better suited to long-form video\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6628\" data-start=\"6477\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6505\" data-start=\"6477\"\u003eVertical shooting support\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6555\" data-start=\"6505\"\u003eDedicated vertical tripod mount and vertical UI\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6588\" data-start=\"6555\"\u003eTraditional camera body layout\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6628\" data-start=\"6588\"\u003eR6 V is more social\/creator oriented\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6769\" data-start=\"6629\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6649\" data-start=\"6629\"\u003eCamera zoom lever\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6690\" data-start=\"6649\"\u003eYes, designed for RF Power Zoom lenses\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6719\" data-start=\"6690\"\u003eNot a core control feature\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6769\" data-start=\"6719\"\u003eR6 V kit uses the included lens more naturally\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"6923\" data-start=\"6770\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6789\" data-start=\"6770\"\u003eMonitoring tools\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6821\" data-start=\"6789\"\u003eWaveform, false color, zebras\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6887\" data-start=\"6821\"\u003eStrong hybrid video tools, but less video-dedicated body design\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6923\" data-start=\"6887\"\u003eR6 V is more production-oriented\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7028\" data-start=\"6924\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"6937\" data-start=\"6924\"\u003eCard slots\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6968\" data-start=\"6937\"\u003eCFexpress Type B + UHS-II SD\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"6999\" data-start=\"6968\"\u003eCFexpress Type B + UHS-II SD\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7028\" data-start=\"6999\"\u003eSimilar card architecture\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7208\" data-start=\"7029\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7062\" data-start=\"7029\"\u003eU.S. kit price at announcement\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7094\" data-start=\"7062\"\u003e$3,699 estimated retail price\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7149\" data-start=\"7094\"\u003e$4,049 launch price reported for RF24-105mm F4 L kit\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7208\" data-start=\"7149\"\u003eR6 V kit launches lower, with a different lens strategy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"7388\" data-start=\"7209\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"7220\" data-start=\"7209\"\u003eBest fit\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7264\" data-start=\"7220\"\u003eVideo creators and small production teams\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7335\" data-start=\"7264\"\u003eHybrid photographers, event shooters, travel, portraits, general use\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"7388\" data-start=\"7335\"\u003eChoose based on video-first vs hybrid-first needs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52008483389760,"sku":"7250C010","price":3699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/CanonEOSR6VMirrorlessCamerawith20-50mmf_4Lens2.jpg?v=1778695454"},{"product_id":"sony-fx5-cinema-camera","title":"Sony FX5 Cinema Camera","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Sony FX5 brings serious cinema-camera capability into a remarkably compact, modular body. Built around a newly developed 5K full-frame stacked sensor, it combines internal RAW recording, Open Gate capture, wide dynamic range, advanced monitoring tools, dependable autofocus, and in-body stabilization in a camera that remains small enough for handheld work, gimbals, travel, and compact production rigs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is a camera for filmmakers who have outgrown the limitations of a conventional mirrorless body but do not want to give up mobility. The FX5 can work as a streamlined one-person camera for documentaries, interviews, events, branded content, and independent films, or it can be built into a more complete production system with professional audio, external monitoring, timecode, networking, and rigging accessories.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eA New 5K Full-Frame Cinema Sensor\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt the center of the FX5 is a 16.6-megapixel full-frame stacked Exmor RS CMOS sensor. Its fast readout supports detailed high-resolution capture, high-frame-rate recording, and more controlled rendering of motion, while the full-frame format provides the depth, dimensionality, and low-light performance filmmakers expect from a modern cinema camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFull-frame 3:2 Open Gate recording uses a larger portion of the sensor than conventional 16:9 capture. This gives editors more room to reframe, stabilize, create multiple aspect ratios, or produce horizontal and vertical versions from the same footage. It is especially valuable for anamorphic production, visual-effects work, and projects that must be delivered across several platforms.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eInternal X-OCN RAW Recording\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe FX5 can record Sony’s 16-bit scene-linear X-OCN compressed RAW format internally, eliminating the need to add an external RAW recorder to the rig. X-OCN LT, C1, and C2 options allow productions to balance image quality, recording time, storage requirements, and post-production flexibility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor filmmakers who want the latitude of RAW without turning a compact camera into a complicated external-recording setup, this is one of the FX5’s most significant advantages. It allows the camera to remain mobile while retaining extensive control over exposure, color, and tonal rendering during post-production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMore traditional XAVC recording options are also available for projects that require faster turnaround, smaller files, or a simpler editing workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWide Latitude and Three Base ISO Settings\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe FX5 provides more than 15 stops of latitude when recording in S-Log3, helping preserve detail in bright highlights and deep shadows. This is particularly useful for uncontrolled locations, interiors with bright windows, outdoor documentary work, and other scenes where lighting conditions cannot be perfectly balanced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThree Base ISO settings—ISO 800, ISO 4000, and ISO 12800—give filmmakers more control over noise and dynamic range as lighting conditions change. Instead of treating low-light capability as an emergency setting, the FX5 is designed to move confidently between daylight, interior, and genuinely dark environments while maintaining cleaner shadows and more natural tonal transitions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eS-Cinetone is also available for productions that need polished color, natural skin tones, and an attractive image with little or no grading.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIntelligent Autofocus You Can Use Professionally\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSony’s BIONZ XR2 processor includes dedicated AI-based subject-recognition capabilities. The FX5 can recognize and track people, animals, and birds, with Real-time Eye AF and up to 759 phase-detection autofocus points.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor interviews, documentaries, events, wildlife, gimbal work, and other situations where a dedicated focus puller may not be available, this can make the difference between merely having autofocus and having autofocus that can be trusted as part of a professional workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFocus-transition speed, subject-shift sensitivity, touch tracking, Focus Map, and AF Assist provide additional control over how the camera acquires and follows a subject.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigned for Handheld and Mobile Production\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDespite its cinema-oriented feature set, the FX5 body weighs approximately 1.4 pounds before adding a battery, memory card, lens, or accessories. Its flat-top design, secure handgrip, and multiple mounting points make it equally suitable for stripped-down handheld shooting or a fully built production rig.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFive-axis in-body image stabilization helps reduce movement during handheld operation. Active and Dynamic Active stabilization modes provide additional electronic correction when a smoother result is more important than retaining the camera’s full angle of view. Stabilization metadata can also be recorded for additional correction in compatible post-production software.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is a camera that can move easily between tripod, handheld, vehicle, gimbal, and compact documentary configurations.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCinema-Focused Monitoring and Operation\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe FX5 is designed around motion-picture production rather than adapting still-camera controls for video. Its BIG6 home screen places frame rate, exposure index or ISO, shutter, iris, LUT, and white balance together for quick access.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBuilt-in monitoring tools include:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eWaveform monitor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFalse Color\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHistogram\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFocus Map\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFocus magnification and peaking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUser-importable monitoring LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnamorphic de-squeeze options\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFront and rear tally indicators\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRed recording-frame display\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe 3.5-inch touchscreen uses a four-axis multi-angle design, allowing it to be positioned for handheld, tripod, gimbal, low-angle, or self-operated shooting. An optional Sony OLED viewfinder can also be added for brighter outdoor environments or more traditional eye-level operation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eFlexible Recording and Production Workflows\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTwo combination media slots accept either CFexpress Type A or SDXC cards. Productions can configure the slots for simultaneous backup, relay recording, separated recording, or independent main and proxy files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe FX5 also includes full-size HDMI, timecode support, USB-C connectivity, a 2.5-gigabit Ethernet port, and built-in Wi-Fi for remote operation, file transfer, streaming, and networked production workflows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAn active cooling system is designed to support extended recording, while the sealed body construction helps improve reliability when working in demanding locations.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eThe Looking Glass Take\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe FX5 is not simply a small camera with an unusually long list of video specifications. Its real strength is how many legitimate cinema-production tools Sony has made available without forcing the filmmaker into a large, heavy, or permanently built-out system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOpen Gate recording gives editors more freedom. Internal X-OCN provides a serious RAW workflow without an external recorder. The three Base ISO settings make the camera adaptable across dramatically different lighting conditions. Meanwhile, autofocus, stabilization, and the compact body make those capabilities practical for small crews and individual operators.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis makes the FX5 especially compelling for documentary filmmakers, commercial production teams, independent cinematographers, event and performance filmmakers, wildlife shooters, and owner-operators who need one camera to handle both carefully controlled productions and fast-moving assignments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe body-only FX5B is the right configuration for filmmakers who already have an audio solution or want to build their own compact rig. It does not include the Sony XLR-H2 handle. Those who need integrated XLR inputs and Sony’s expanded professional audio capabilities should consider adding the XLR-H2 separately or choosing the FX5 configuration that includes it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eKey Features\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e16.6MP 5K full-frame stacked Exmor RS CMOS sensor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSony E lens mount\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFull-frame 3:2 Open Gate recording\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInternal 16-bit scene-linear X-OCN compressed RAW\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMore than 15 stops of latitude with S-Log3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISO 800, 4000, and 12800 Base ISO settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBIONZ XR2 processor with integrated AI processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUp to 759 phase-detection autofocus points\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHuman, animal, and bird recognition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFive-axis in-body image stabilization\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDynamic Active stabilization mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eS-Cinetone and S-Gamut3.Cine color options\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBuilt-in anamorphic de-squeeze\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWaveform, False Color, Histogram, and Focus Map\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3.5-inch four-axis multi-angle touchscreen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDual CFexpress Type A and SDXC card slots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFull-size HDMI and timecode support\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2.5-gigabit Ethernet, Wi-Fi, Bluetooth, and USB-C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eActive cooling for extended recording\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eApproximately 1.4-pound body weight\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded with the Body-Only Camera\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSony FX5 camera body\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNP-SA100 rechargeable battery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBC-SAD1 battery charger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBody cap\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAccessory-shoe cap\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eViewfinder-terminal protective cap\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eLens, memory card, XLR-H2 handle unit, microphone, and optional OLED viewfinder are sold separately.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":52877439336768,"sku":"ILMEFX5B","price":4898.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0854\/6218\/8352\/files\/SonyFX5CinemaCamera1.jpg?v=1785270774"}],"url":"https:\/\/www.lookingglassphoto.com\/collections\/audio-video.oembed","provider":"Looking Glass Photographic Outfitters","version":"1.0","type":"link"}