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Nikon

Nikon Z-series Lens NIKKOR Z 24-200mm f/4-6.3 VR

$799.99 ~~$899.99~~

In stock

This low price after $100 instant savings is good through 05.29.22.

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Description

One lens. So many possibilities.

An immensely versatile all-in-one zoom that’s ready to capture all the beauty you encounter on your next trek. Sweeping landscapes, impressive architecture, lively street photography and so much more. Superb video performance with remarkably smooth, fast and quiet autofocus. Gorgeous edge-to-edge clarity and faithful point light reproduction. All with the convenience of a single, lightweight grab and go lens.

All the shots. None of the baggage.

At just 570 g, the compact NIKKOR Z 24-200mm f/4-6.3 VR is the perfect grab and go lens for all-day versatility and convenience. From stunning wide landscapes to close-ups of the animals that inhabit them, every shot is captured with staggering resolution, impressive clarity and minimal distortion.

zoom sequence of images of a couple and a large beach hut on the sand

Even more reach with DX crop mode.

The already impressive 200mm reach of the NIKKOR Z 24-200mm f/4-6.3 VR can be effectively extended to an amazing 300mm when used on a DX camera like the Z 50 or by setting your FX camera to DX crop mode.

Outstanding optics. True-to-life images.

The NIKKOR Z 24-200mm f/4-6.3 VR is loaded with advanced Nikon lens technologies to capture photos and videos just as you see them with minimal distortion and exceptional clarity.

Photo of greenery with water drops on the leaves, against a green background, taken with NIKKOR Z 24-200mm f/4-6.3 VR Fluorine Coat Repels water, dust and dirt

low light photo of two people in the water along with trees, taken with the NIKKOR Z 24-200mm f/4-6.3 VR 2 ED Glass Lens Elements Minimizes color fringing

photo of a person in colorful clothing against a colorful building, taken with the NIKKOR Z 24-200mm f/4-6.3 VR 2 Aspherical Lens Elements Corrects scene distortion

ARNEO Coat Suppresses light flare
Fluorine Coat Repels water, dust and dirt
2 ED Glass Lens Elements Minimizes color fringing
2 Aspherical Lens Elements Corrects scene distortion
ARNEO Coat Suppresses light flare
Fluorine Coat Repels water, dust and dirt

Autofocus done right. Smooth. Fast. Quiet.

Powered by an ultra-quiet stepping motor and enhanced by the additional light gathered by the Z Mount, focusing is fast, silent and accurate. Great for stills; even better for video.

Rock steady VR.

With up to 5.0 stops* of built-in optical Vibration Reduction (VR), impeccably sharp handheld photos and videos are no problem, even in low light. Paired with the 5 Axis In-Body VR (IBIS) of Full Frame Z Series cameras, image stabilization is further enhanced, and with the DX format Z 50, the NIKKOR Z 24-200mm f/4-6.3 VR provides 2 Axis optical image stabilization.

Night. As it should be.

Point light sources like stars or lights in a cityscape have a tendency to "smear" in dark scenes, requiring time-consuming post-processing to correct. The NIKKOR Z 24-200mm f/4-6.3 VR automatically combats this anomaly with faithful point light reproduction, accurately capturing fine details around small light sources throughout the entire frame.

One lens. All kinds of shots.

With its vast zoom range, the NIKKOR Z 24-200mm f/4-6.3 VR is an extremely versatile lens for video enthusiasts. Autofocusing and subject tracking are smooth and silent with virtually no focus breathing. The customizable, clickless control ring offers quick and quiet access to your most used camera settings. Plus, it accepts 67mm filters such as neutral density filters for greater creative exposure control.

rendering of the NIKKOR Z 24-200mm f/4-6.3 VR and its dust and drip seals

Keeps out the dust. And the drips.

Extensively sealed to keep dust and moisture out, especially around all moving parts of the lens barrel, for worry-free durability.

Photo of the NIKKOR Z 24-200mm f/4-6.3 VR control ring

Control. That’s customizable.

The control ring can be used for quiet aperture control (great for iris transitions during video recording or situations where complete silence is critical), exposure compensation or ISO adjustments.

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