Revolog PLEXUS 200 Color Negative Film (35mm, 36 Exposures) - Single Roll

A sci-fi blue “neural net” overlay that can make your photos feel underwater—or off-planet.

Revolog PLEXUS 200 is an experimental 35mm color negative film with an organic blue structure running through the frame—like a neural network, or rippling reflections across a pool. It’s intentionally stylized, and it tends to show up strongest in the darker parts of the image, which means you can steer the look with contrast and shadow.

Why film photographers like Revolog PLEXUS 200 (35mm, 36)

• A one-of-a-kind blue network effect → Revolog describes an organic blue structure reminiscent of a neural net / underwater reflections → instant atmosphere that’s hard to “fake” convincingly in post.

• The effect is present across the whole image → Revolog notes the effect is visible on the whole photograph → your frames feel cohesive, not like a corner-only gimmick.

• Strongest in shadows → Revolog (and retailers) note it intensifies in darker parts of the image → great for moody street light, backlit subjects, and contrasty scenes.

• A fun fit for fashion and concept shoots → Revolog explicitly calls out a science-fiction/“alien” vibe and underwater simulation → ideal when you want your roll to look like a creative decision, not just a film stock.

• Easy lab compatibility → 35mm color negative film processed in C-41 at ISO 200 → no special chemistry required.

Quick shooting note

If you want the Plexus pattern to really read, give it deeper shadows and contrast to live in. If you want it subtler, keep more of the scene bright and evenly lit—highlights tend to show less of the effect.

Tradeoffs to know

Because this is a special-effects film, some labs may choose to manually scan it (which can sometimes mean extra scanning charges or longer turnaround).

What’s included: 1 single roll of Revolog PLEXUS 200 color negative film, 35mm, 36 exposures (C-41).

Ideal for: neon nights, watery reflections, silhouettes, fashion/editorial looks, and anyone who wants a roll that turns shadows into something electric.

Looking Glass tip: shoot 3–5 baseline frames early (simple subject, even light, then one contrasty scene). It’ll teach you how bold the overlay reads with your camera’s metering before you commit the roll to your favorite moments.